Reflection On The Philosophical Basis Of Contemporary Chinese Aesthetics

"Contemporary Chinese Aesthetics", namely since the nineteen fifties" aesthetics popularity "after the end is perpetuated in the Chinese aesthetics. The contemporary Chinese aesthetics can be analyzed into four mainstream schools of thought, that Mr Cai Yi’s" beauty is the objective", Gao Ertai’s" beauty is subjective," Mr Zhu Guangqian’s" beauty is the unity of objective and subjective", as well as Mr Li Zehou’s" beauty is the unity of objectivity and social". The four major schools of aesthetics raise the second half of the twentieth Century Chinese modern aesthetic climax. Unfortunately, long-term since, scholars tend to be aesthetic research into two camps, materialism and idealism. It seems to aesthetics not materialism is idealism, and pragmatically determined to solve the aesthetic problems, have higher materialism idealism, but the two camp common shortcoming is to use the object as the philosophical basis of phase. In four schools of intense controversy, twentieth Century" aesthetics popularity" gradually after cooling, aesthetics should be how to construct and develop? Whether we should draw lessons from western aesthetics of the basic ideas and development?21CN aesthetics go where to go? The contemporary Chinese aesthetics is changed, this is a lot of scholars have pointed to the fact that, in this paper, the key to solve this problem is to reflect on the contemporary Chinese aesthetics philosophy foundation, make Chinese contemporary aesthetic theory to break apart, and divides into two research methods, to a mixture of subject and object of aesthetics, stick to the subject no, really form the aesthetic form.