Involving NiZan’s Plaza Landscape Painting

In the Yuan dynasty under foreign rule is full of class, most of the literati painters of the Yuan dynasty embarked on the road to retirement. On the art itself,"diverting oneself" and "e-gas". Away from the mundane, achieving unity of poetry, books, paintings, new style, is embodied in the aesthetic pursuit of a higher grade. His painting style is the most representative embark on a "high-Yi"."ariar" road, was hailed as "Yat" Ni Zan of the three legs of a tripod. Ni Zan’s unique style is through the landscape to express spiritual pursuits of refined seclusion, also makes people really recognize the value of literati painters. Nature of Ni Zan’s Plaza beyond, from his text "Yat hasty, rather than like" can be seen in his paintings and outstanding symbol of his expression to mean that. His mentality is a law for freedom and the creation of virtual border with whatever one wishes to say his pen follows the psychological state of implementation. His style of painting in the "soft" and "far" are the realm of Zhuangzi,"in seclusion". Ni Zan’s paintings in the internalization of the external, the image of God, Limited unlimited, direct glimpse in the emotional reason, taste of sentiment and taste in the object, wonderful knowledge fun borders in the image. This is a unique artistic concept of aesthetic culture in China and the aesthetic realm. Sikong Tu’s "aims and romantic charm of the outside to outside" to describe appropriate. Ni Zanyi aesthetic of landscape, it is a way of life ideal and aesthetic level. Pass it beauty is color vision, but a spiritual movement. Is the heart, more visual beauty that cannot be touched. Speaking of Ni Zan’s contribution is his personality and art go together, distinguish Yat "landscape reference is" elegance "(Qing dynasty) and" vulgarity "of standards. Two is to create one, or "dense thick" new style. Two is to create one, or "dense thick" new-style. Ⅱ landscape of Ni Zan’s most valuable is his stress is a humanistic spirit, stress is one of the culture’s profound influence on painting. In today’s society, is to "Yat" aesthetic connotation to criticism of painting standards better reflect a harmonious aesthetic appeal.