| This article analyzes the era and background of the literati painting’s long development,combines some representative figures and their works,and sums up my understanding of the “free spirit” in traditional literati painting.The article takes the "emptiness" of Taoist thought as the introduction of the "free spirit" of this article and plays a role in the subsequent portrayal of the "free spirit".In the painting theory,there is no absolute certain idea that leads to some kind of thought.Therefore,many theories are complementary.This metaphysical idea of the spirit,to be manifested,requires a carrier—the picture.The appearance and development of these paintings must have their specific forms and the specific historical background and cultural background in which they form.The composition and content of the literati paintings are characteristic of that era.The literati painting began to develop from the Tang Dynasty to the Song and Yuan dynasties.He took the lead in the painting circle,and it could be said that the Ming Dynasty was a “golden age” of literati painting.The prosperity of the literati paintings has benefited from the development of traditional poetry,painting,and painting,which has helped the literati and peninsula express their hearts with brushes outside the poems and books and beyond the text.The screen mainly analyzes the performances of the traditional literati landscape paintings,such as big and small,space performance,and blank space.After analyzing the “free spirit” and the expression of the paintings,this article focuses on the influence of the “free spirit” of the literati painting on the creation of modern landscape paintings and the importance attached by the modern landscape painters to their inheritance and development.Under the influence of the literati painting “Free Spirit” and the integration of the elements of this era and Western ideas,the literati painting “Free Spirit” is constantly evolving with the times and has far-reaching implications. |
PDF Full Text Request