A Study Of Character Of "Metaphysics And Subtlety" From Music Of Ancient Instrument In Wei Jin Period

With development progress of history of china, It was obvious and differentculture in Wei Jin period, it was created their own features of cultural state whichreflected real life and unique historical special form. There were praise or criticismremarks about the art of ancient instrument in history of Chinese culture. Thoughthere were different point about cultural and political in this period, it was justreflected exceeds unusual, different and unique history value and meaning. It wascreated different aesthetic culture on this special environment. As a deepconnotation’s art of the ancient instrument, it has always been in their distinctive wayand individual character, which made a lot of bright and beautiful colors for music arton this a period, and also opened up a new direction by inside and outside at the sametime.The aesthetics of music of ancient instrument paid more attention to endlessconnotation of “rhyme” from the original “sound” gradually turned to the “rhyme” inmajor changes, and to performance of “rhyme” in the music of the endless artisticconception. Class origin and status of the people of ancient instrument could alwaysaffect the change of aesthetic of ancient instrument in Wei Jin period, which wasbecome quietly elegant at the same time. It was tended to clear, new, fresh and elegantof aesthetic of ancient instrument in this period, and to freedom, elegant, cool, boldand unconstrained just like Ji Kang’s working.In poem of Xiao Que listening ancient instrument poem, we more felt transcendconventional, release of bondage, and with infinite diversity of all beings of ancientinstrument inosculate as a whole. It was unpredictable, inscrutable and unexpectableartistic state, and also felt that people have the liberation of sense of philosophy fromthought of Zhuang Xue and metaphysics.