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A Doctrine In Nineteenth Century18、19Germany

Posted on:2013-11-18Degree:MasterType:Thesis
Country:ChinaCandidate:Y Q SunFull Text:PDF
GTID:2235330395471131Subject:Music
Abstract/Summary:PDF Full Text Request
In seventeenth Century to eighteenth Century, Germany has been the British and Frenchin two major European powers forces of oppression of the position, area and economicsituation is worrying. It was such a poor is a small country in European affairs slowly playshis role and influence. Gradually consolidated power and economic recovery, and the Germanarmy occupies a special position in the domestic, is caused by their music style is importantreason. In eighteenth Century, German music "sentimental style", in Paris as the center of the"ornate style" contrast appears to have a style of one’s own. This is the people have sincealways concept, strict stubborn, sad what the Germans to show to the world character.Music from Bach and Handel period begins, until Wagner and Brahms, always in thefield of world music has a very high prestige, but after nineteenth Century status as before.This article from the historical angle brief analysis this phenomenon causes. In view of theabove, the author focuses on nineteenth Century18, during the German and Europeanmainland political, economic, and cultural background music, tries to from a new perspectiveof German music activities and style.
Keywords/Search Tags:Germany, music, sad, style
PDF Full Text Request
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