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Contemporary Study Of The Prairie School Of Painting Oil Painting

Posted on:2013-08-06Degree:MasterType:Thesis
Country:ChinaCandidate:F L BaiFull Text:PDF
GTID:2235330395470923Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In the vast grasslands of Mongolia, the history of the establishment of many ethnic minority regime, and created the brilliant cultural history of their own nation, after a long continuous differentiation and integration of life, including all ethnic groups on the painter in the Mongolian Plateau, the use of its unique geographicalenvironment to create a rich national culture, but also its unique artistic style. Contemporary oil paintings of the prairie school of painting have the use of a unique national resource, to create a large number of ethnic minorities, the theme of works of art, and contemporary prairie school of painting oil painting, always contains a significant grassland and cultural factors.The late1970s, early1980s, the contemporary Inner Mongolia grassland Painting began to take shape after90years continuous development and growth, the21st century, contemporary grasslands of Inner Mongolia Painting access to its prosperity and innovation of, at this stage, the grasslands of Inner Mongolia Painting facing unprecedented opportunities and challenges. This paper will be the introduction (background knowledge) of contemporary grassland Painting, contemporary prairie Painting development process, the cultural characteristics of the contemporary prairie school of painting oil painting and aesthetic connotations, contemporary prairie school of painting oil painting face problems and explore, five were analyzed to explore some art activities and research provided valuable materials and analyzed on the basis of this paper found that contemporary Inner Mongolia grassland Painting the face of the personality and the public, traditional and modern, nation and the world collide, its oil paintings began to delve into the grassland national Culture and contemporary prairie mentality and their survival status, this paper will also benefit from the steppe culture as a starting point to explore the cultural and aesthetic connotations of contemporary grassland painting oil painting, and then explore contemporary Inner Mongolia the problems faced by the oil paintings of the prairie school of painting and its exploration.
Keywords/Search Tags:grassland culture, overview of development, cultural identity, aestheticconnotation Issues
PDF Full Text Request
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