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From "Spoken Language" To "Poetical Language"

Posted on:2012-06-12Degree:MasterType:Thesis
Country:ChinaCandidate:W Y FengFull Text:PDF
GTID:2235330392956375Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
The research of spoken poetry’concept in Poetry critic circles is very different. I also can not give " spoken poetry" an accurate definition. I can only say " spoken poetry’ should be what it should be. However, I firmly believe that spoken language is not all the spoken poetry. And spoken language is one mean or way of spoken poetry’. Now critics have both positive and negative attitude of spoken poetry. The negative is major.YisSha’ spoken poetry is generated by the factors of eastern and western culture. His spoken poetries obtain the balance between local cultural heritage and western cultural resources. And they form a intersection. He Sticks to the local cultural heritage and draws western cultural resources. So he establishes his own solid foundation of Post-modern spoken poetry between the local and western fields. It has common features of spoken poetry, but also has its own unique characteristics.It is not the topic discussed by me that which of spoken poetry and other poetrys is right. Different criterion of value and aesthetic norms collide with each other. In my opinion, there is no winner. I study YiSha in the history of poetry, from ancient times to modern times,from china to foreign countries. I believe that, only through this approach,I can make more clear understanding and judgments.
Keywords/Search Tags:Spoken poetry, YiSha, Postmodemism, New criticism
PDF Full Text Request
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