The Art Beauty Of Thick And Smart

Xiang Jinguo was born in nineteen fifties artists, this generation of artists in Franceand the Soviet Union by the early culture of sculpture sculpture model two kinds ofexternal cultural influences, in the late eighty or ninety’s, the western modern artintervention, is brought to their various creative passion and thinking, their this generationof artists who were these three forces "front clip hammer", has also been crazy, was vacant,but finally in artistic creation on firm choose their direction, or rear traditional, or western,in this two way appeared many outstanding artists. Xiang Jinguo as the artists of thisgeneration in one, he quietly watching this two way comrades thought of self, self,precipitation, then forming a more broad artistic thinking, his works have no fixedsymbols, has no fixed form language, he does not rigidly adhere to the tradition, alsodepend on Western art. He based the Chu art thick free and smart, absorption of northernart bold, experience of Southern art carefully, according to his own art need to make theright choice, his art works are his own personal unique artistic temperament--thick andclever, but his thick beautiful but not simple, rough mad the atmosphere, in the rough andthe atmosphere is always hiding in a partly hidden and partly visible warmth and romance,he works of art is not a single smart beautiful, graceful and delicate, works his mobilebeauty has more beautiful. Whether it is realistic works, impressionistic works,perceptions of performance works or landscape sculpture, all has the extremely uniformartistic temperament. Although Xiang Jinguo’s works are numerous, but can still clearlysee he for contour simplification, to form extremely positive generalization, for squareformat preference.