Stockhausen’s Music Analysis And Music Of Postmodern Thinking

Karlheinz Stockhausen （1928-2007）， He is a federal Germancomposer, pianist, conductor, musicologist. He is one of the famouscontroversial composer in the twentieth century. But after the World WarⅡ,music creation field has an enormous influence on a Germancontemporary musicians. His life was full of all kinds of legend, He is like ascientist, like doing some music experiments, find out the musicalmystery, He put the piano apart, all the way to play the piano, He is carefulto listen to all kinds of sounds, and to put them together, creating his ownmusic style, He put the countries in the world national music elements,adding their own works, make these ethnic music in modern music continueto pass, He has his own unique creation style and method, his works havea unique modern style.This article through analyzing Storck Howson ’s life and two works, inorder to explain the characteristics of creation, the two works are：One," Zodiac" this song creation and in1975, his works No. NO.411/2,This piece of music box plays the part of music from Stockhausen ’s" Musikim bauch"，This song is Storck Howson in1975written works, the song waswritten by six percussionist and music composed music myth.The other piece is ‘stop’,Stockhausen created in1965, numbers forNO.18VE I4989, For orchestra, It is unique in that, One pipe string band incommand of the distribution, is divided into six independent but with amixture of small bands, and played a different melody, in each of the smallband will have a certain number of musical instruments, each band hascrossed musical instruments, so it can be said to be both independent andmixed, each band.In the analysis of work process, also finds some postmodern musicspecial features, such as postmodern music authenticity, postmodernmusic of autonomy and heteronomy, postmodern music is an elusive music,it can be divided into many types, and and yet no one can make a specific definition for him, he is a development in the form of music, is our timeadjuncts, Stockhausen in his own music using a lot of modern hightechnology, and to the many of his own thoughts, maybe we can see it asa rational logical thinking, people often say that music is sensible, but thedragons and fishes jumbled together in our postmodern thoughts, musicalso follow the trend, join many rational elements. For example, in everycreation, Stockhausen to music experiment, then derived data, and basedon these data creation, perhaps this is the music sense and sensibilitycross, and eventually to rational close.