The Research On Rural World Of Liu Zhenyun’s Novels

Liu Zhenyun is a famous writer of contemporary,. He came from the village, but his creation has never left village. His own perspective to observe social, always civilian life and history, creating a distinctive rural world.This paper introduces the sales of the study of the world’s present situation, the use of social and historical criticism and text reading, from his creation of the causes, the rural vernacular world characters and typical present, history and culture to present this several aspects, and strive to fully display in his novels of the world and its local style and features of the deep meaning, at the same time, the value of the world reveals and insufficiency, then make the reader to recognize the unique position in Chinese contemporary literature.Liu Zhenyun was grew up in Henan countryside. He was loved by his grandma, but the hardships of life and that he realized the difficulty of the survival. the love and pain growth experience made him deeply understand the common people and the frustrations of life, love hate hatrde, this kind of complex emotional experience, that he is rooted deep in the creation of the home and land.The characters in the world can be divided into two types:a villager and countryman. Villagers in rural indigenous people, they are social vulnerable groups, in the spirit by the influence of the feudal ideas, insulted by damage in the position:country people are those who grew up in the countryside and in various ways to leave the countryside, people living in the city, they turned in the city soul in the home.For further explanation of the novel Liu Zhenyun rural world, the author drew four typicals in his present in text-TaPu, shout it typical, grandma and Uncle Nao. TaPu is both writers and young period of childhood growing field, and can be used as the representative of the home in the novel, he left home in the city life, realized the city feeling, he reflection life, history, culture, really have nowhere to your souls, shifted to home, but all of his hometown and he can’t effective for salvation, and can only put the soul was fiction of the township; In "a top ten thousand words of" in appear "shout funeral" this image, the writer tries to use the traditional rural funeral ceremony to express break Chinese one hundred years of solitude desire; Liu Zhenyun was brought up by grandma, and she gave him great care, in his works, he put the grandma shape becomes a true incarnation, the writer on the ideal of national spirit reconstruction; Uncle Nao is Liu Zhenyun novel frequently appears the character in this work, he miscegenation, the author think that he is the ugly image. Writer describes group of ugly is to express love of beauty, aesthetic, called the beauty is the ultimate goal of creation.Liu Zhenyun’s novel’s rural world reflects his unique history and culture, he always stands in the "civilian" position, the change of history and personal writing, borrow history to criticize realistic; At the same time, Liu Zhenyun uses "the power" and "food" as the breakthrough point for describing the rural world human things, to envision the world culture, so as to culture to reflect on human nature.Liu Zhenyun almost all of the novels and countryside has don’t understand of contact. The function of country poems his creation, that he is concerned about the human nature, social and cultural basis points. The new century from the "mobile phone", he the complex but reasonable story makes me admire to "a top ten thousand words of" creation, from the city and returned to the local world madly in love, and has been a huge success. Obvious, Liu Zhenyun agrestic novels to other species and good at it, we have reason to believe that his native novel creation and more broad prospect.