Women Of The Oil Painting Series Return Research

When we read the art history of Chinese painting will find the ancient times women do not have its own independent aesthetic standard, entirely male aesthetic as the core, the main reason for this phenomenon is determined by the social ideology, the social status of women decided to women in the position in the history of Chinese painting. The founding of New China to improve the social status of women to achieve equality between women and men, but this equality is only a superficial rather than substantive, sexist old ideas, old ideas still do not make women have the same freedom as their male counterparts and power, women are still shrouded in the shadow of the male, which led to the women the art of painting is the same fate; rapid social development of the1980s and1990s when the social status of women has been greatly improved, women’s self-awareness gradually awakening, and women-related concepts, such as "female","female art" is frequently suggested that the academic study of women’s literary and artistic activities have continued to increase female artists began to emerge in the arts, and have achieved with comparable to the artistic achievements of male artists, has made an outstanding contribution to the development of Chinese painting. Women’s unique emotional thinking, they created many charming paintings, this new painting team much the concerns of the community. The main topic to sort out the history and current status of Chinese women painting, trying to explore the forward direction so that the artistic charm of Chinese women painting to be displayed and the continuous development of complex social background for the paintings of Chinese women. Part of the theoretical part and creative performance, theoretical section first describes what is a woman painting; painting Chinese women’s development context, and specifically addressed the loss of female paintings by ancient, modem, to the founding of New China’s rise, and then return to the four aspects of the female-based and female self-awareness early1990s. Secondly, the combination of representative works of the Chinese female oil painters, to study the basic characteristics of the painting of the Chinese women, are discussed from two aspects of the choice of subject matter and painting style, female oil painters in the choice of theme select the theme of the day-to-day of the tendency, Select a metaphorical theme tendency to select the tendency of female imagery and painting style with the focus on inner feelings to express, pay attention to convey the life experiences, and apparent female tendency. On this basis, the author of discourse change in thinking in the learning process and the arts to explore, analyze women return to the series of oil paintings, the visual experience as a modeling language, to establish the mental state of a woman’s perspective to see the women themselves for the performance of direction, focus on our own, to establish self-worth, and create a unique female characteristics of the art form while the prospects for the development of contemporary Chinese women oil painting and shortcomings.