In the existing classical Qin Songs, undoubtedly the "Gui Qu Lai Ci" is the represent one to explain the Qin Player’s hermit culture spirit and thought, which composed based on Master Tao Yuanming’s same name poem, who is the famous poet in WeiJin Dynasty. After combined with music, the lyric of "Gui Qu Lai Ci" keeps the same as the original poem. Its tone is concise and intriguing to represent and extend the artistic conception. So this Qin Song’s Score was recorded by various score editions of Ming and Qing Dynasties and evolved out3kinds of score edition pedigrees.This thesis can be divided to the following4aspects:The1st aspect is carding the existing score of "Gui Qu Lai Ci" to the table based on the time series based on explanation of the culture value of Master Tao Yuanming’s and the literature value of "Gu Qu Lai Xi Ci" by analysis of the internal meaning of Qin Song "Gui Qu Lai Ci"; and comparing the scores to state the thesis why it became3kinds of score edition pedigrees.The2nd aspect can be divided to4small sections which analyzed and studied the pedigree of "Xie Lin Tai Gu Yi Yin" in detail to elucidate the flowing deformation status and the mutation methods.The3rd aspect can be divided to3small sections which analyzed and studied the flowing deformation status of the pedigrees of "Wu Gang Qin Pu" and "Hui Yan Mi Zi Ding", and compared with the pedigree of "Xie Lin Tai Gu Yi Yin" to find some schools’performance style and aesthetic tendency behind of the scores.The4th aspect is deep discussion and study of the artistic achievements of "Qin Ge Pai" in Ming Dynasty, the changing trace of Qin Music’s feature in Ming and Qing Dynasties and the development tend of "Qin Ge Art" in Ming and Qing Dynasties based on the score development of Qin Ge "Gui Qu Lai Ci". |