Study On Yuan Dynasty Of The Class Of Ghost Apparitionson And Dream Show Detective Drama

The material of the Yuan Dynasty detective drama, mostly belong to the criminal cases,most of which is a sensational murder case. Easily lead to the interest of the audience and theaudience talked about, thought-provoking. Rehabilitate Injustices through the following twoways: First is to rely on clean government, such as Bao Zheng on Bao play, Zhang Ding onMagic co-Law and Survey scarf, Qian da yin on The red dress dream, The second is to rely onghost apparitions or dream show, such as Snow in Midsummer, Health of the Golden Pavilion,Bowls ghost, after the court spent.Ghost apparitions to tell the honest and upright officialgrievance, an important clue to solve the case for clean government. Butterfly Dream and Thered dress Dream are clean governments by the dream of revelation, who ultimately find thedetection key.This paper studies the detective drama “Ghost apparitions”,“dream show” type ofdetective drama. The paper is divided into five chapters analyze: The first chapter is adetective drama Review of the Yuan Dynasty. In1934ZhengZhenduo, firstly specialized indetective drama in his article.From1950s to1980s detective drama became hot, Academicresearch results were rich. In the1990s of the last century, detective drama was becoming low.The past decade, research on the detective drama creates an upsurge. The research has yieldedfruitful results, especially Bao play is a hot topic. The second chapter is the repertory test ofYuan Dynasty detective drama of ghost apparitionson and dream show, focusing on theoriginal story, record, edition and synopsis of the paly.Chapter III analyzes the reasons for thedetective drama from two aspects of social history and cultural psychology. The fourthchapter describes its tragic performance from the structural characteristics of such detectivedrama and aesthetic features. The fifth chapter analyzes this type of detective drama artisticfeatures.The Emphasis of this chapter is first, the analysis of the aesthetic fantasy andpersonality and its deep ideological connotations inherent of such a ghost image of thedetective drama. The second is the resolution of such detective drama language methods ofexpression. The third is the discussion of the clever and happy endings on the structuralarrangements of such plays.