Brecht’s Vision Of Chinese Opera Performance

Brecht is a German progress dramatist and Brecht advocates is the audience with a reason to see a play, the audience with actors need "marginal" between, between the actor and the character also need to "marginal", the Aristotle’s drama is the need to know the world, the audience with rational attitude to evaluate the world.This paper focuses on the analysis of how Brecht dialectical to learn traditional Chinese opera, at the same time analysis of two drama collision gave Brecht the creation inspiration. Hope that through analysis, China’s development of opera and drama of Brecht have a further understanding of play a role in promoting.The introduction mainly describes the research origin, research purpose and the present research situation at home and abroad.The first chapter of Brecht on the traditional drama pattern recognition, as well as Chinese opera structure method, especially the drama narrative composition on its enlightenment.The concept of the drama of the second chapter of the origin of the "fourth wall" and advocate of Ibsen, Stanislavski. Re-examines the analysis of Brecht’s "fourth wall" problem. And the plight of the "alienation Act" and the way of Chinese Traditional Opera and Brecht drama methods.The third part from the realistic setting does not meet the aesthetic and Brecht stage design, discusses the Chinese opera dummy and behind the aesthetics. The Opera stage openly admitted that this is a show place, we are in the theater, opera, opera is the art of the " rules of freedom of action".The conclusion to the whole thesis, this paper explains the lack of...