| This thesis, which takes the comedy of film literature image of migrant workers since the new century as research object, from the comedy element of the film image of migrant workers and the aesthetic connotation of comedy of film image of migrant workers, to the function of comedy film image of migrant workers, try to provide some introspection and brokering for film image of migrant workers designing.This thesis consists of three parts i.e. Introduction, Main Body and Conclusion, Main Body is divided into three chapters.The Introduction part firstly research the comedy, the image, the image of the comedy and other related theories for the summary of the study. The comedy study on film image of peasant-workers in this topic mainly consists of three parts:the first is the comedy element of the film image of migrant workers. The second is shaping the aesthetic significance of comedy of the film image of migrant workers. The third is the function of comedy film image of migrant workers. Then, the Introduction makes a further analysis on the current status of the study of comedy and the comedy of film image of migrant workers. Base upon the above two work, the thesis puts forth the flow of thoughts and the meanings of studying this topic:studying film image of migrant workers in the new century from the comedy of this aesthetic category is a new attempt and a good addition to the study.Chapter one is mainly emphasized on the comedy element of the film image of migrant workers and its artistic technique. First of all is the comedy of the film image of migrant worker of shape elements and artistic skills; Second is the language element of comedy of film image of migrant workers, including personalized comedy language, popularization of comedy language, and performance analysis of the technique used in language; last is the comedy elements of the film image of migrant workers, which also includes the relationships between the character of film image of migrant workers and comedy, the setting up of film plot and comedy, as well as the analysis of the artistic technique.Chapter one is mainly emphasized on the aesthetic connotation of the comedy of film image of migrant workers. First is the analysis on aesthetic pursuit of comedy of film image of migrant workers, including the ugliness of the comedy of the film image of migrant workers and the aesthetics of the comedy of the film image of migrant workers; then, discuss the infiltration of sorrow and joy of comedy of film image of migrant workers, including the comedy of film image of migrant workers in tragedy film, and the tragedy connotation in comedy of film image of migrant workers.Chapter three analyzes the function of comedy of film image of migrant workers. It is mainly focused on the causes making the film image of migrant workers apply comedy, and the unique value and meanings of using the comedy theory in designing film literature image of migrant workers. Firstly, from the media development factor, social and cultural factors and audience accept psychological factors to explore the causes of film literature image of migrant workers presenting comedy since new century, then analysis the unique value and meanings of comedy of film literature image of migrant workers.The section of conclusion summarizes the main discussion content of the thesis and further point out that the importance of the comedy sense in the comedy research on film literature image of migrant workers, put forward several thoughts about the comedy research about film literature image of migrant workers. From depicting the comedy element of the film image of migrant workers, analyzing the aesthetic connotation of comedy of film image of migrant workers, to discussing the function of comedy film image of migrant workers, the thesis has penetrated, interpretatively, into the surface of the comedy of film literature image of migrant workers, until its inner. |
