Modern Chinese Writer’s Cognition And Performance To Culture Of Traditional Chinese Medicine

Traditional Chinese medicine culture is the Chinese nationtraditional culture representative, in the survival and development ofthe Chinese nation in the course of play a decisive role, in the ancienthistory of literature, to Chinese medicine as the trail of thought a largenumber of literary works, but in the thirty years of modern literatureof traditional Chinese Medicine which almost no writing novels, thewriting culture of traditional Chinese medicine the article also is mostlyfrom the negative criticism and encouragement, arrived after the foundingof the small amount of Chinese traditional medicine novels also will havea distinctive political ideology, and the opposite is, since the newcentury, to Chinese medicine for writing the object ’s novel began toappear, and the in a hitherto unknown positive attitude positively carryforward traditional Chinese medicine culture, and the culture oftraditional Chinese medicine performance contrast. This distinctivechanges may be present and contemporary literature in a small side, butthe resulting problem has very important research value, we should lookat how early twentieth Century Chinese medicine novels silence evendisappear from the scene? After the founding of why gradually smallinitiation was carefully conceal mentioning medicine works? Since the newcentury will be raging like a storm, why the emergence of a large numberof traditional Chinese medicine directly writing novels? This kind ofnovels with what characteristics？How we reason objectively look at theliterature / culture phenomenon?A series of problems that lies behind it is modern writers in differentperiods on the culture of Traditional Chinese medicine cognitive differences, resulting in the culture of traditional Chinese medicine inwriting and performance also produced so big contrast, through thesolution of these problems, the modern writer on the culture oftraditional Chinese medicine and cognitive performance can be vividlypresented natural. In this paper, through the literature phenomenon, indifferent periods of modern writers on the culture of traditional Chinesemedicine in recognition and writing. The full text is divided into threechapters, from three different periods of modern writers on Chinesemedicine and cultural cognition and performance:ChapterⅠ:“Five Four period”main research literature of traditionalChinese medicine culture cognition and performance. This chapter made Luxun’s“My father’s illness”and“medicine”as an example, show writeron Chinese medicine and cultural criticism and negation, and explore itscauses. Investigate its reason : the first is the cultural shock results;secondly, the period with which are set by the government against thetraditional policy intervention; third, five four writers on the Chinesemedicine culture negative cognition and criticism. In order to reflectthe modern writer on medicine culture mainstream cognition andperformance.ChapterⅡ: the main writing fifty years after founding a state ofcontemporary writers to traditional Chinese medicine culture cognitionand performance. Mainly take Yu Tianbai’s novel" mad doctor" without alsoas an example, the times writer on medicine culture cognition by theinfluence of two respects: one is the traditional Chinese medicine athousand things wait to be done, as to play its due value, no longer tobe extruded and exclusion, but the transformation and utilization. Second,the government’s new medicine policy guidelines, advocating thecombination of traditional Chinese and Western medicine, Chinese medicinepieces during this period also has two evident characteristics, is a distinctive feature, political ideology, although it is written intraditional Chinese medicine, but the purpose is still serving political.Two, pure traditional Chinese medicine to combine traditional Chinese andWestern medicine road, or direct writing and singing the praises of"barefoot doctors".ChapterⅢ: The main writing since the new century culturalreconstruction in the background of modern writers on Chinese medicineand cultural cognition and performance. Since the new century in thecultural reconstruction under the background of traditional culture todevelop and become the focus of attention, culture of traditional Chinesemedicine in this one upsurge of surge has also been respected and valued.Investigate its reason has the following points: First, the rise of thegreat powers of the objective reality; Second, cultural introspectionbrought calm and objective thinking results; Third," reflexive modernity"results; four, revival of Chinese action drives. Modern writers alike inthis upsurge of Chinese medicine culture and cognitive changes, much toChinese medicine culture as the theme of the novel have come out insuccession, and embodies the distinctive characteristics of art, itsartistic characteristics are mainly in the following aspects: one is thepursuit of Chinese traditional culture, aesthetic attitude. Two, historyfamily narrative mode.ChapterⅣ: The main writing since the new century author of Chineseimage in the new literary imagination, for different text representativeChinese character image analysis and interpretation, which embodies thenew century writers on the Chinese image rebuilding and new literaryimagination, this chapter mainly from the following aspects of therepresentation of traditional Chinese medicine image: one is thegeneralization and explanation, traditional Chinese image again. Two, butthe literature reconstruction. Three, other traditional Chinese thought mainly includes: 1,"live bandit" Chinese image;2, Do not allow a manfemale Chinese image;3, The ugly Chinese intrinsic differences, negativeChinese image. To present a new century Chinese writer on medicine imageof the new literary imagination and creation.