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Analysis Of The Ming And Qing Polychrome Color Evolution

Posted on:2013-11-30Degree:MasterType:Thesis
Country:ChinaCandidate:X M ZhangFull Text:PDF
GTID:2235330371496483Subject:Industrial design engineering
Abstract/Summary:PDF Full Text Request
Chinese ceramic culture has a long history, from the early Neolithic terracotta, graypottery, black pottery, to the Eastern Han Dynasty celadon, and along with thefurtherdevelopment of ceramic art from the Northern and Southern Dynasties period toproducea black ceramic, porcelain,South Green Northern white "situation, the countryhas beenformed to the Tang Dynasty porcelain development to the Song Dynasty, avariety of blue and White Porcelain and glaze porcelain was fired has matured. Ceramictechnology to develop and mature, may provide for the further development of theceramic decoration technology. Ming and Qing Dynasties, the glaze of ceramics andglaze, underglazepainted porcelain began to appear, and the rapid development of theSouth Green NorthWhite Porcelain situation began to be broken, the polychromegradually become themainstream of the development of porcelain a variety of colorfulpolychrome occupy and lead the direction of development of the ceramic. This is notonly related with thedevelopment of ceramic technology, the V national aesthetic factorsinherent culture ofthe Chinese people need is the intrinsic causes of this porcelainaesthetic changes.Porcelain decorative forms, became the glaze of ceramics of the Mingand Qing Dynasties and the driving force of development and prosperity.Polychrome fired by the Ming and Qing Dynasties as the basis of materialcollectedaround the country tombs, kiln Tibet and museum information, the Ming andQingpolychrome according to major categories of color categorized list to study from theplainto the color the evolution of the causes and color evolution of the law. Trying tofully revealthe inherent cultural and psychological causes of the Ming and Qingpolychrome colorevolution. Ming and Qing polychrome is no longer just stay at thetechnical level, but moreto explore China’s traditional color aesthetic psychology andfolk ideologically, the Ming and Qing glaze polychrome inherent in the development andprosperity of the whole process from creation to the inherent ideological depth analysison the cultural and otherfactors.
Keywords/Search Tags:Ceramic, Color psychology, The Ming and Qing Dynasties, Thetraditional color, National psychology
PDF Full Text Request
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