Research Of Iwai Shunji’s Movie Art Style

Shunji Iwai has the reputation of Japan’s new film movement standard-bearer, withits fresh and unique visual style, rich and delicate emotional characterizations launcheda" Love Letter "and" Swallowtail Butterfly "," Flower and Alice "and many classic films,the popularity of the Japanese and Asian cinema. The basis of inheriting thought, into aunique personal philosophy, and elevated to the entire human common emotional pursuitto create a colorful image world, thus becoming the development of contemporaryJapanese film heavyweight directors, the history can not be ignored, his research isundoubtedly of great value.Shunji Iwai’s main theme, narrative, aesthetic style, relatively in-depth discussionon single films, However, for the integrity of the reading of Shunji Iwai works, but therelative lack, thusseparates the organic link between the individual and overall, ShunjiIwai film’s artistic thought and aesthetic value of the formation of an overall context anda clear framework. Therefore, this article will be standing at a new height, a verticalcomb and summarized in a comprehensive and detailed Shunji Iwai’s director concept,and a horizontal comparison and research of Japanese film director, resulting in a morebroad perspective a new summary of Shunji Iwai films of artistic thought and aestheticawareness.This argument on the part of Shunji Iwai film some research and put forward themain research ideas and core values. The second part while the context of the time todevelop on the Shunji Iwai’s personal growth process and film-making road. The thirdpart of the innocent youth and romantic focus, combing the types of diversity pursuit ofShunji Iwai films theme. The fourth part of the analysis of scenarios based insights andtheatrical deconstruction, Shunji Iwai film’s anti-traditional space-time architecture toexplore the art features. Part V and Part VI will be built on the basis of close reading,refining summary of the visual style of Shunji Iwai and mirror language features.Finally, Shunji Iwai, and at the same time period, the Japanese film director SuoMasayuki, Takeshi Kitano, a horizontal contrast to broaden the view of research andperspective. Ultimately make a comprehensive new summary of Shunji Iwai films.