The Practice Of Color And Ink In Ink Painting

Since the Tang Dynasty, Ink painting is the genre of Chinese painting styles, alsois the literati paintings genre. Since the ancient times, the ink is a relatively independentsystem, it is different from Western painting and other arts disciplines, which reflectedthe thinking and cognitive universe, reflects the mind and skill of the Chinese people toexpress themselves with ink language mind.After centuries of development, the contemporary coming, wash and ink is in thetransformation period, the ink is in a transition period, how to ink into its own and giveit contemporary, every ink practitioners in thinking about the problem. Because peoplehave long will depend on ink painting color composition for China in the system canreplace other color exists, the color in traditional ink paintings of the development hassome limitations. Color is a visual language art, for ink and wash the influence of thedevelopment is beyond doubt, in modern and contemporary there have quite a lot of inkpainting artists involved in the color of the ink.This paper summarizes some of the existing literature and research on the basis ofthe practitioner’s point of view, which through four part analysis factors that may affectthe ink painting ideas and material factors of research ink color and color-Mexicanrelations, so as to explore the practice of contemporary ink color problem. Which expectto be able to enrich the research of contemporary ink color development.