Research On The Flowing Space Design Of Exhibition Buildings Based On The Humanistic Spirit

The changes of aesthetic values and lifestyles in the information age have promptedconstantly updating in the meanings and forms of exhibition building space,making itget rid of its cold, closed and rigid outer coverings,the new trend of exhibitionbuilding designs have focused on the pleasant experience of the people and specialemphasis on people’s emotional involvements.The flowing space,paying closeattentions to the links between people and the relationship between people and theenvironment,has been deepened and developed by designers from differentangles.This is reflected diversely and vividly in the exhibition buildings.The paper isbased on the promoting of the quality of the exhibition building spaces to exploringthe actual values of the flowing space from the point of Humanities.The studyemphasis on relationships of architectural formations and compositions and throughthe combing,induction,analysis and summary of a large number of museums andgalleries instances,putting forward the characteristics of flowing space and thecorresponding strategies of designs.The paper is divided into five sections.The first chapter of the paper includes theorigin, purpose and significance of the study.The second chapter describes theemergence and changes of the exhibition building,the essence and features of spatialfluidity,review the course of development of the flowing space in the exhibitionbuilding.The third chapter explores the various factors affecting the exhibitionbuilding spaces from a focus on human and environment, behavior and psychology ofaudience, and the evolution and development of exhibition activities provide a basisfor the design of the flowing space.Chapter fourth resolves the fluidity of the spatialorganization through synthesizing plenty of exhibition building instances,from thefunction, order, spatial relationship and flow line,the characteristic and themanifestations of fluidity are discussed. The fifth chapter attempts from the angle ofinterface,that is,the intuitive and constructed image of erections,combined with newthinking, new materials and new technology to analyze the formation mechanism ofthe flowing space in today’s information age. Combining the author’s own experiencesat the Expo and studies on the documentations,this paper has systematicallysummarized the composition characteristics of building spaces and operating practiceswith guiding significance in the perspective of humanities,promoting more thinking for the designers and providing references for the creative practice of currentexhibition building designs.