Up to now the programs of"Talk show"has been very popular in the world. In the west, they have many years'history and always keep the status of"evergreen tree"in the television's domain which is full of fierce competition. In our country, these programs didn't appear until 1990s, but they developed very rapidly. In recent years, more and more programs present in all sorts of television stations. We should say, the quantity of these programs in China have reached to a considerable degree. On the influence of mass culture to TV media industry, talk shows of love have been the mainly type of TV programs. As a kind of industrial culture product, talk shows of love have strong market potentiality and development prospect. However, the homogenization problem in talk shows of love is very common, and obviously, the quality of those programs differs largely. Except for domestic program-makers pursuing benefits excessively, the basic reason is that the pattern of talk shows of love lacks innovation. By the use of related concepts of narrative theories, this paper analyzes the narration of Happy Cubes and summarizes the successful experience of its innovation, in order to find out the law of creation of love-talk shows. |