A Study On Documentary Style In Zhangke Jia 's Film Works

Zhangke Jia, one of the most important leaders of the sixth generation of director, whose overall film style is documentary, whether his early complex love knot to the hometown or concern to the ordinary people in the city in his later life experience; or the performance of the heavy feeling of history in the past and at present are built with a documentary style. His style has strong social and cultural significance. His movie not only shows one after another current "civilian epic" ,but also let people see the trace of folk through history, understand some of the social problems which is easily ignored and think deeply.This paper analyzes all movies of Zhangke Jia by means of combining theory with practice, Multiple perspectives and single Angle and close and the methods of speculative reading text , comparison and statistical classification. In this way, it attempts to sum up the characteristic of his documentary aesthetics film tyle, the entrenchment and innovation of it It also comprehensively discussed the cause of this kind of style. Finally, the author discusses the significance of this documentary style, the existing problems and the solution to the problem. Looking forward to going out of whack as soon as possible and step on a better development way.This paper is made up of five parts.The first part mainly introduces his whole film creation, including the general creation course. The second part comprehensively discusses his documentary style in content, such as classifying and summarizing the image of the ordinary people of all his films. Thus, he concludes that his film shows the real living condition of all kinds of underclass and highlights two entrenched elements, that is the persistence to love and the representation of life image.The third part mainly analyzes the adherence and innovation of his documentary aesthetic style in form. Nonprofessional actors use, tremendous dialect use, the insistence on the uncertainty of the plot and the set of the end. Meanwhile,he contantly changes the creation technique in order to better performance the theme of the film, for example: the narrative structure is from wired to a double track, parallel to pick up a type, scenes are from rough to the delicate, etc.The fourth part discusses the reasons for the formation of this documentary style.The fifth part discusses the meaning and the existing problems of this documentary style of zhangke jia's film. Through the comparison between the intergeneration, we can see his film is the inheritance and innovationto the traditional film, and at the same time, I put forward some constructive opinions in view of the problems. Finally, I am fiiled with bright expextation and look forward to his brilliant future of his movie.