The Ideology Analysis Of Gong Xian's Oddity And Silence

Gong Xian at the time of painting that "Fourth," said, that pen, ink, hills and gullies, the spirit, and against the "Six", in his opinion, among the hills and gullies, these relations are fundamental, and the ink is the hills and gullies of the attachment, the perfect unity of these three is the highlight artistically, Gong Xian Vals said here is the style of landscape paintings rendered the carrier, which is the landscape of the pattern, which made the hills and gullies to be "odd", while the atmosphere to "On", followed by Gong Xian that "scholars painting" can be "odd" and "writer art" can be "security" and promoting "the Scholar Painting" and "writer art" in the combined.Gong Xian-called "odd" was the archetype of creation, and this must be the "heart division of good fortune," the basis of what he called "the Scholar Painting" is not usually considered a "scholar art", where "persons Painting of "refers to the artist to be" Linquan Heart, "a unique creation, rather than using the ancient art program. Gong Xian that "writers painting" could be "security" of the "truth" is actually the natural hair cut and painted to emphasize the unity of reason, while his "quiet" Yu "security" and "static" is the aesthetic of traditional Chinese culture prominent feature, it and "ease" has some connection, Chinese landscape painting is almost "static" word "ease", so in Gong Xian ideology "security" has character sense, not that of the craftsman-style secular "writers painting ", so" odd "and" security "requires the creation and character of thought is both, are indispensable, so as to achieve" Yu Qi Yu An "realm.The paper is divided into four parts:Part I: Landscape Painting in the Ming and Qing historical and cultural background to start discussion, analysis Gong Xian's "odd" and "security" ideology and ideological background of the times included.Part II: Discussion on "odd" and "security" of thought and Taoist metaphysics, the relationship between Zen Buddhism and Confucianism, "Yi Ge" and "odd" and "security" to ideas.Part III: the "odd" and "security" thinking and Gong Xian described the relationship between landscape, focused "odd" and "security" in Gong Xian Landscape Paintings.Part IV: for the "odd" and "security" thinking in modern more performance for the "novelty" has overflow "security" of the cultural connotations of this phenomenon to explain their point of view.