Theory Of The 19th Century The Striker Slant The Influence Of French Art

The 19th century it, not only in Europe in history is a great turning point in art, and is also an important turning point. New classicism. Romantic impressionist. Realism to represent a change, and until today still affects westerners thoughts. Behavior and way of life. Striker as neoclassicism finally an influence in the representative figure of artistic language, he insists, despise the absolute accurate sketch improvisation and messy disorder; In style, striker and of his fellow the cultured nobility and classical art itself the accumulation of cold solemn atmosphere, is always new classical style features. This tradition with striker for represent, deep influence in the 19th century French painting.This paper mainly based on the aesthetic concept and its striker form factors of sorting and research, this paper discuss the contents:first, striker is neoclassical master David's disciple, although not David favorite student, is the biggest successor David achievements. Although striker inherited David art style, but the striker as a youth paintings have shown that he finally deviates from David some weapons artistic criteria. From the introduction of striker can understand his life the formation of the artistic style of the artistic style and David the further apart. From striker young period into Toulouse painting sculpture of architecture to study painting sculpture to enter the David studio learning new classical art, can system of main aesthetic concepts about striker forming process. I think, through research striker complete thought trajectory and life form, show the pain of his life in the experience of a first-rate, bloom after art crowd. Striker to provide individuation artistic language, and use the brush to record the life deep feelings and to historical restatements, I hope that through to the western painting art of learning and striker art of modern people, can explore the art culture and appreciating ability the enhancement help, formed his own painting styles.Secondly mainly discusses the striker and aesthetic aesthetic reasons for the formation of the aesthetic to the formation of the striker process of ancient Greek and Roman archaeological discovery by the influence and has fiorentina school and humanism, and the influence of the effects of his life time to analyze the formation process of aesthetic striker in the past, the author of the notes or with a friend about letter summarizes and finishing the process of forming systemized striker. Striker at 50 started to win honor, and is thought of as the princes of neo-classical school, following the teacher after David neoclassical leaders, he is "ideal beauty" creed of influence, and also put forward that diversity and original style, thus formed its own unique artistic conception.Finally the main research striker artistic concept to the 19th century French influence, mainly from to the influence of French romantic art, represented by crowe Della, through the earthen two works of art comparison and analysis, find common characteristics, and the striker to artistic conception; the effect of Chloe Della earthen And the influence of impressionist paintings, including representative painter degas, although impressionist notice colour in works of importance, but degas once worshipped by striker for the teacher striker myself by the influence of striker advice and more, pay attention to the sketch relations, through the two works to comparative analysis, looking for in common. Critically realistic art and the barbizon school and striker and the connection between the neoclassicism. A comprehensive analysis and finishing with the striker in the 19th century aesthetic, the relationship between the French art for us a deeper understanding of the striker and 19th century French art is of great significance.