Interpretation And Reflection On The Song And Dance Duet From The Aesthetic Psychoanalysis Perspective

Song-and-dance Duet, as an existing form of human life and cultural activity, is not only the component of Chinese traditional arts but also the treasure of folk arts of Talking and Singing drama combined with regionalism and song and dance. Song-and-dance Duet has been developing and received popularity among Chinese people in its history of over 200 years. Current studies regarding Song-and-dance Duet is mostly on its history and form of expression. Then, why does Song-and-dance Duet come into existence? Why is it so attractive?This article applies methods of sociology, arts, dialectic analysis, axiology and systemism to fathom the cause of occurrence of Song-and-dance Duet from psychoanalytic esthetical perspective and attempts to find the original meaning from its spiritual culture in order to discover its real enchantment while reflecting the future of Song-and-dance from psychoanalytic esthetical perspective. Therefore, the theoretical study of Song-and-dance Duet is deepened and supplemented. This article consists of six parts including Introduction, Psychoanalytic esthetical views on origination and changing of Song-and-dance Duet, Basic form of Song-and-dance Duet and its influence, Psychoanalytic esthetical views on causes of enchantment of Song-and-dance Duet, Psychoanalytic esthetical reflection on Song-and-dance Duet in Northeast China and conclusion.Song-and-dance Duet originates in Northeast China. During the performance, the intense passion and emotion flow provides all the impetus to thorough abreaction, release and joy, all of which are the major particularities of folk arts in Northeast China. Song-and-dance Duet summons the form that this era lacks most by its infinite enchantment. Psychoanalytic esthetical research on Song-and-dance Duet can bring rational spirit as well as reflection will, which the Song-and-dance Duet lacks most.