Akutagawa Ryunosuke And Jigokuhen

Akutagawa ryunosuke in Japanese literary history played an important role. He has formed its own unique style of writing, and he was of eastern and western culture impact are inseparable. Since the childhood, because mothers mental problems, he was taken to the uncle's house. While uncle home traditional Japanese culture atmosphere quite rich, mustard Akutagawa is in such an environment, and therefore against Japan grew up in the culture and literature is very have understanding. This on his thinking has far-reaching influence. While the relative, western art let the young age of mustard Akutagawa, experience unprecedented pleasure. With friends and lovers enjoy together on the western western concert, translation drama expressed high interest, but also often go to some western painting art exhibition, etc. These two say conflicting art form, each other, not only alternately formed his unique style of writing, also bothering him. For mustard Akutagawa have a significant impact on the Japanese writers, have Natsume Soseki and Mori Ougai this two people. Gulls The writer and mustard Akutagawa is mentoring relationship, mustard Akutagawa with senyuan gulls outside although unlike wash stone that close, but on creation, can say, compared with the writer's gulls outside of mustard greater influence of Akutagawa. About mustard Akutagawa slant the formation and the conscious creation this part, the biggest impact to several western writers Edward Allen POE (1809 ~ 1849), American poet and novelist. Two hundred years apart, but between although both in art, on work or idiosyncratic, artistic creation attitude and claims, etc, and there are many similarities.About mustard Akutagawa 's novel, generally can be divided into two parts. Prophase works of art for the center is the historical novel, later with your mind and body condition for the center's privacy novels. And this again with his artistic change has deep relationship. Say to slant, mustard Akutagawa is for art, in order to show the perfect and conscientious person. His psyche, say simply, it is first to art form. In front of performance desire, humanitarian requirement also is only second.Say to the mustard Akutagawa artistic, it must be mentioned his masterpiece "Jigokuhen".In order to complete this screen, painters hell variable LiangXiu saw her daughter was burned, the facial expression by pain to excited and finally complete masterpiece, the second day by suicide way to end their lives. This story is served by a hall for more than 20 years of the "I" to tell. The "I" is not the author himself, through which the author set, hidden for LiangXiu bright strong lifestyle subjective, direct expression. LiangXiu, this figure is a pair. Both right and the art of opposites, also have the human nature and artistry of the conflict. Side by side with the protection of the right of art and power, contend, Looking at a daughter be burned side smile on his face. Can say LiangXiu, is the author mustard Akutagawa double. Is art supremacist is to see the real things can create works, are caught in the art and the actual life. LiangXiu this character, expressed the mustard Akutagawa's art supremacists, also suggests that, in the dream and reality of conflict, finally the fate of Akutagawa defeat sativa.