Chinese Film's Colorific Ideographic Study

Movie art development to the 1990s, western director are aware of culture on the film, while the effect of colour is an important breakthrough in its cultural expression, color not only enrich people's thinking and life. In the film art creation, in addition to the material world, truly represent more play outside portray feelings, rendering atmosphere, foil the main means theme. Movies have studied color is light and color plastic art, is studied and discussed the important areas of cinema. It to research the creation subject, object, the relationship between ontology, receptors for basic task and interactions.Throughout China, in colour expression kweisi mfume quite deep under foot and accomplished the kung fu director zhang yimou, only belong to. Chinese films from the eighties with zhang opened as a representative of the theme of the film with colour foils, reach deeper ideographic role. He led the Chinese movie toward coloured shadows world, its film send out the color idea without doubt China was a breakthrough movie colour is the symbol and hallmark.This paper studies the ideographic role in movie color for theoretical basis, through the study film colour modelling, discuss movies in the theoretical basis of the art of color, the color of cultural basis. And then focuses on the Chinese film in the 1990s with zhang yimou after the movie represented the position and functions of the colour application study different culture and national movie colour, understand the connotation of the Chinese and western director artistic creation and aesthetic intent from film, film color view theme, character modelling, narrative effect, symbolism, etc, and functional analysis of the points out that in the multicultural society background, Chinese film color how to walk to the future development road of exploration.