Mature In The Persistent

As a representative of neo-realism, Fang Fang began writing in 1982, whose masterpiece is Landscape. Fang Fang insists on maintaining the purity of literature. Her works always show respect to the revelation of human heart. As a result of her peculiar family environment, Fang Fang holds a rather paranoiac attitude towards existence and love, thus her works are always instilled with tragic tone.This thesis focuses on the study and interpretation of Fang Fang's novels of 21st century, including the discussion of the characteristics, meaning and defect in her writing. In the first part of this thesis, detailed explanation concerning why Fang Fang believes in the tragic fatalism will be given, including the cause of her writing tragic fatalism, the inability of making choice faced by lower-class people, the exposition of the ugliness in human nature. The second part will Probe into Fang Fang's view of love which is nihilistic and doubtful. When love contradicts survival, people will become extremely helpless and give in. Real love can only survive in the crack. The third part will interpret the unique meaning of death in Fang Fang's works. Through the depiction of death, Fang Fang is expressing a king of distressed mood. All the beautiful things are easy to lose, abreacting to people in the form of death. The fourth part will explain how feminine writing evolutes. Chinese women are in the passive position all the time, suffering from extreme humbleness and reliance on men. Women's consciousness can be awakened in the new century, but the enormous contradictions between ideal and reality, freedom and tradition faced by modern women are still difficult to solve. The fifth part will illustrate the defects in Fang Fang's writing briefly, namely over-dense tragic color, lack of logic, and disorder of time.