Research On Mood In Oil Painting Performance

Chinese traditional culture has a long history, has the world's most sparkling cultural philosophical thought. The concept of traditional Chinese painting, the painting is different from Western concepts. With the beginning of modern Chinese and Western mass communication, cultural and art exchanges, integration is inevitable,Painting as a visual art form of Western representation, first introduced in the Ming Dynasty in China as missionaries. China is a large-scale introduction of oil painting in the "May Fourth Movement" after the New Culture Movement. With the decline of China in the Qing Dynasty, the colonists began a continuous partition of China, looting. For power, get rid of foreign invasion of the ideal. Insight learning from the West began to promote abroad the advanced scientific and cultural thinking in order to find the powerful. Chinese painting is generally the time has come to a dead end that, in order to inject new vitality into the Chinese painting, traditional Chinese going abroad to study art of painting the reform was also the vision of the arts community. As students go abroad to return, the West began painting large-scale dissemination in China.Cultural patterns of a heterogeneous culture into its assimilation and integration into the Chinese culture from the time it had begun. From the form, content and spirit of the connotation of conscious artists of Chinese oil paintings created in line with China's visual aesthetic form of local culture. Painting aesthetic forms and habits of local culture through the integration process of the history of Chinese modern painting, after several generations of Chinese artists to explore for oil painting and practice hard to make this form of visual art from the West began with the characteristics of local culture.The concept of traditional Chinese painting in China, Confucianism, Taoism, Buddhism, philosophy and culture under the influence of the concept of evolving, the East has a unique aesthetic concepts and aesthetic meaning. In the traditional philosophy formed under the influence of other cultures different from the concept of system of paintings with a profound philosophical ideas and concepts of traditional Chinese brand, reflecting the unique Chinese philosophy, cosmology and view of life. Western painting, the artist also used to convey the feelings of the screen, but outside of Chinese painting in this more "mood."Taoist philosophy of simple, broad, nothing fancy rich natural beauty; Confucian and in, the noble beauty and Zen harmony, understanding the ethereal beauty gave birth to the profound traditional Chinese painting aesthetics mindset. "Any society that art is rooted in his traditional culture." This painting was painted as the introduction of advanced culture in China, this kind of how the culture has a long history and exquisite artistic traditions of the land on the root, germination, flowering, the result is that our ancestors faced enormous problems and challenges.The introduction of large-scale paintings from the past hundred years later, after a fierce debate parties diametrically opposed views. With economic globalization and the development of modern science and technology within the global scope of the various regions and countries can quickly and easily for science and technology, culture, and artistic exchange. Different cultures and artistic traditions to face with how to adapt, learn, integration and development. Oil Painting issues facing today is how to better development. The spirit of traditional culture into the painting has the temperament and characteristics of the national spirit.Diversity in the arts today, with the face of the concept of traditional Chinese painting "impressionistic" painting has a different style of genre painting a force full of vitality. Modern Western art borrowed from a rich traditional Chinese aesthetic concepts of modern Western art. Cultural and artistic diversity in the development of many oil painters in China today has begun to be conscious of the concept of traditional Chinese painting into the nature of their work, from painting concept level "mood", "character" to the technique that pen and ink, color, line, shape and space. The older generation of artists from the early Lin, Wu, Su providential, Zao Wou-ki, Chu, Wu Dayu to the present Hong Ling, Ou Yang. In his own creative work in Traditional Chinese Aesthetics introduced the concept of painting.The concept of traditional Chinese painting, the introduction of aesthetics not only enrich the expression and content of painting, but also the development of traditional Chinese culture. Significance lies in his interpretation of the modern way "mood" conceptIn this paper, the concept of the formation of traditional Chinese philosophy, aesthetics, starting with the creative practice of older artists, to the formation of the artist's painting theory and practice of the main line to study and understand the concept of traditional Chinese painting in the painting of the introduction and formation. So that we create a better fit with the national spirit and cultural works of art.Oil painting as a foreign species, for China has five thousand years of cultural heritage in this country that make this country the people to accept and appreciate this art is inevitable to integrate into the philosophy of traditional Chinese culture. With the development and constant change, traditional painting is also the connotation of the concept of continuous integration, change, enrich. Only the roots, growth in this spirit gave birth to the traditional culture of the land in order to create feelings of line with China's national spirit and works of art.