The Look The HAN Sons Of The Collection From Nanyang Calligraphy Table

Han Shineng and Han Fengxi is well-known Ming Dynasty connoisseur of Chinese painting and calligraphy. Nan-yang shu-hua biao records Han's art collection before the Yuan Dynasty. This dissertation takes the Nan-yang shu-hua biao for clues to explore in Chinese Collection of history aesthetic Han's father and son's position.This article first from the life of aesthetic family members of their family, as the simple and comb, experience foundation for the further research; Subsequent to the Nan-yang shu-hua biao of contents of the study again. As a special bibliography in the late Ming , there are two of the same name ,which were respectively attributed to Zhang Chou and Mao Wei. In fact, the second one signed by Mao Wei is counterfeit.The collector of Ming dynasty used to cover seal and write their comments inscribed after the work. And as important aesthetic father-son collector , we are now difficult to see their seal and postscript. Based on this phenomenon will do a bit discuss. And from the Nan-yang shu-hua biao listed in table of selecting a few pieces of works as a case study.Han's are willing to take their home collections, and enjoy others together. We can see Dong Qicang, Chen Jiru, Huang Hui in their painting and calligraphy social activities. For most is aesthetic collection ZhangChou description ,besides the Nan-yang shu-hua biao, ZhangChou still mentioned Han's collection in many times in his Qing-he Shuhuafang and Zhenjirilu.