Musical Analysis Of Monteverdi <Combattimento Di Tancredi E Clorinda>

Monteverdi is one of Europe's leading composer,he is the great person as a link between the later period of Renaissance and the early stage of Baroque musical period. In all the music genre,madrigal creation spans his life,most can reflect his complete creative style evolution,he madrigal style is very modern,especially the eighth volume madrigal,in the vocal and instrumental music on the set of originality,rhythm using more follow one's inclinations,melody shows novel segment type. Among them,Combattimento di Tancredi e Clorinda,with its special style concitato famed at the world,for the pastoral creation composer innumerable outstanding added in a glorious a pen.This madrigal in aesthetics perfect presents monteverdi's second practice and the theory of music in lyrics and the relationship aspects of more outstanding interpretation. It borrowed music rhetoric method, combining with the various techniques in the baroque period at the emotional theory aesthetics and rationalism thought, make this work become a high aesthetic value of the high-quality goods.The thesis inclues:prolegomenon, this part mainly introduces the significance of the proposing of thesis, research methods and research status;the first chapter,mainly introduces the origin and development of Italian madrigal, combined with the information of both historical and musical development of madrigal and the summarising statement of its style and characteristic; the second part, Madrigal situation of the content and performance and Ontology Analysis of Combattimento di Tancredi e Clorinda, this work performance condition as well as the noumenon analysis; the third part is the study of Combattimento di Tancredi e Clorinda implied thought and second practice the formation of monteverdi's aesthetic theory basis;the fourth chapter is the conclusion and also can be regarded as the section of further introducion.