"Palace of Eternal Youth"of Hong Sheng came late, immediately produced a strong social repercussions. In Qing Dynasty, the accepted style which people on the "Palace of Eternal Youth" can be divided into two forms of stage and desk. Firstly, as a very good opera works, the stage reception of "Palace of Eternal Youth" present prosperity. "compting performance in the theater", "non-song does not play" is the best footnote of the "Palace of Eternal Youth". If we refine it in detail, the stage reception styles of "Palace of Eternal Youth" can be divided roughly into the whole of the drama, section of the drama,and excerpts. Whether all of the reception styles, the stage reception is the most direct and important form in Qing dynasty. Also, according to the spreading behaviors of "Palace of Eternal Youth", future generations can also be seen from the audience's aesthetic orientation, and the popular causes of the excerptsof "Palace of Eternal Youth". Secondly, because of the "love those hi the word text, will reward the law Concert" and other reasons, the desk receptions of "Palace of Eternal Youth" received prosperity. View from the desk acceptance, the style of the desk acception can also be divided into the whole of the drama and selected. The third, according to the recording of the prefaces, head notes, and some scholars note, poetry and other literature accounts about "Palace of Eternal Youth", we can know the reception conditions of the scholar at that time. Finally, as a great influence on the legendary work, "Palace of Eternal Youth" also affects the style of a variety of other literature in Qing Dynasty. Of course, according to discussing the relations of the receptions of "Palace of Eternal Youth" and the literary thought and opera culture, we can also glimpse the accepted sense of "Palace of Eternal Youth" at that times. |