Study On Freehand Brushwork Of Chinese Oil Painting

From the Ming Dynasty, the Western missionary Matteo Ricci entered China to carry the Madonna date, China has been the introduction of four hundred years of history painting. It is a brand new modeling techniques and different materials, techniques, winning the favor of the Chinese people of insight. This oil painting from the West, its development process in China, the inevitable collision with the local cultures. Chinese oil painters in the collision of seeking to develop, they learn from the West at the same time, more traditional elements of Chinese ink and the reference and absorption, and extraction of traditional Chinese culture in the impressionistic essence of traditional Chinese painting in the concept of the use of thinking to their paintings. This has already become the direction that several generations of Chinese oil painters are exploring constantly, has reflected the thought that a kind of strong culture that they have on the spiritual aspect looks for one's roots. Make us see traditional Chinese art spirit important function and meaning performed in the process of the contemporary canvas. The artists have new inspiration and artistic source in creating, pay close attention to the development of the artistic style and artistic language again, make the works demonstrate a kind of aesthstic characteristic and visual aesthetic feeling of taking on an entirely new look, the integration spirit of this kind of head with Chinese and Western aesthetics brings further thinking and exploration to academia.The research of comfortable spirit, make us see that in the process in the contemporary canvas about the Chinese canvas, traditional Chinese art spirit important function and meaning performed. The development course mainly of the thesis from the Chinese canvas is a clue, explain comfortable origin, forming of China's comfortable canvas, development in pluralism of China's comfortable canvas. Have explained the impact on canvas of China's traditional philosophy as the focal point of the article in comfortable spiritual intension of the Chinese canvas, analyze from the Taoist school thought, Zen Buddhism thought concretely; To the absorption of the comfortable spirit of China's traditional calligraphy and painting at the same time, respect of drawing from traditional calligraphy, scholar etc. is described; Ponder over in a contemporary one the comfortable spirit of the Chinese canvas finally. How let canvas have development that innovate under new background of era, cultural tradition with western set of art seek breakthrough point in China, make the canvas works demonstrate the new aesthstic characteristic, it is our subject studied worth thinking deeply about instantly.