The Reconstruction Of Feminism And Aesthetics Of Life

In contemporary Chinese literature, Anyi Wang is known for vigorous creations, large number of works, varied themes, and a variety of styles. In the thirty years of her literature creation, the first two decades is the time of her creative activity, she passed the various literary trends, and left a clear imprint in her work. In the new century, Anyi Wang is gradually closing the beautiful face, turning plain and elegant style. This paper mainly studies Anyi Wang's novels of the decade in the new century, trying to discover the uniqueness of Anyi Wang's work.The paper is composed by the introduction, the body text and the conclusion parts. The body text is divided into three chapters:The outline of the first chapter divided the novels before the new century into four phases. The first stage, from children's literature to the "Wenwen" series, Anyi Wang emerged successfully in the literary world, and caused quite a response. The second stage, from the "Little Bao Village" to "Hong Kong's love and love", which is a literary flourish of a writer to compete with the various literary trends of the time, Anyi Wang has successfully intervened in the educated youth literature, literary roots, scar literature, reflection literature, pioneer literature, women literature and other literary trends. After the successful intervention, she then quickly get out, who is not confined to the limitations of a certain kind of literature. The third stage, creating novel "Chang HenGe", which is a compromise between business culture and popular literature, but this compromise is a successful experiment. The fourth stage, the return after "Chang HenGe", Anyi Wang attributed to the gorgeous flat after following the extreme busy, focusing on the perspective of rural and returned to normal life, complete a magnificent turn after the "Chang HenGe".The second chapter mainly describe the multidimensional world attention in her works in the new century. Different form the creation of the first two decades, she is trying to build an attitude of detachment from the world of women, and to explore the fate of women in the world. After the writing of Wenwen's ideals and spirit during the girls, Anyi Wang turned to the growing concern about the ups and downs of adolescent girls, the young girls concern about their own spiritual growth, and achieved an unprecedented level.The third chapter mainly describes Anyi Wang's humane care of secular life, expressed in the context of the Pan-modern, her aesthetic concerns of daily life, not very optimistic on modern thinking, and aesthetic pursuit of sustenance in the particular spiritual home of village.