In The "Multiple Render" And "Accumulate Ink" Seen In Chinese Paintings Of The Artistically

"Multiple render" and "accumulate ink" are the basic techniques in the process making traditional Chinese painting. This passage, we can see that how the artists of the acient Chinese paintings set up ink and color performance of the painted object right mental outlook, grace and majestic look of the momentum to express their feelings by analysis the techniques of their "Multiple render "and" accumulate ink".The painting expressing the charm which we call "Yun" is that it give the watchers. Chinese painting master the "Yun" which must be expressed by some medium. Except the Ideology of the artist, the external condition is the painting technique.This paper around the "Multiple render" and " accumulate ink " both artistic expression of Chinese painting techniques to start on. The first part of the " Multiple render " The discussion of the process of painting techniques. First, on the "three alum nine dyed" concept and production methods characteristic of the combined ancient Chinese philosophy of Aesthetics and Chinese painting materials analysis, further to the " Multiple render " Technical Characteristics of causes discussed, and summarized painting techniques to form and convey the flavor of the screen are an integral relationship. Then work through the analysis of ancient Chinese paintings to explain that the use of " Multiple render " The techniques of Chinese painting process is how to make the screen show to convey the charm; The second part is about the techniques of Chinese painting, " accumulate ink " discussed in this section, the paper focuses on the use of ancient Chinese paintings to elaborate on the " accumulate ink " concept and characteristics, and historical conditions to form ink product reviewed. At the same time by thinking of the Chinese character and culture to further the " accumulate ink " that the causes and painting techniques and discusses the relationship between rhyme and pass on the ancient Chinese representative had the " accumulate ink " and "Yun" the dialectical unity of mutual co-existence discussion of relations between them appropriately; The third part is the combination of the two front most of the analysis, through the Chinese painting " Multiple render " and " accumulate ink " these two painting techniques of Chinese painting between the main review, analysis of the Chinese painting as a a big subject, the formation and screen techniques coexist charm relationship of dialectical unity.This paper will combine theory and practical experience of the painting techniques discussed in the rhyme and picture characteristics of mutual coexistence, the relationship of dialectical unity, and the future development of Chinese painting and changes made a good bedding.