Human The Other Hand, Their Own Mirror - The Type Of Disaster Movie Mode Analysis

In recent years, the disaster movie has a swift and violent momentum of development. It becomes the best guarantee of the Hollywood box office. But in realistic society, every kind of disaster which appeared frequently has become an international concern. To a certain extent, after getting the fully visual stimulation of disaster movie, people also think about our own living environment unavoidably. Because of this, the disaster movie which chooses the reality as the background then has more connotation.This article takes the disaster movie as the object to study. It mainly utilizes the typology techniques. Firstly, through combing the vein of the disaster movie's development, the article forms a smooth clue paying great attention to analyze the changing characteristics of disaster movie from the angle like social economy, culture, science and technology. Basing on this, then I do research on the disaster movie's type pattern. It mainly revolves on the narrative pattern, characteristic pattern and regional pattern. Finally from the aspects of accepted psychology and resonsideration of ecological crisis, this article deepens its meaning.This article mainly divides into three parts. In the first part, it mainly defines the concept of the disaster movie. It gives a systems-description on the origin and development of the disaster movie. And it also analyzes every kind of social factor which influenced the development of the disaster movie at various times. Through these works, I sort out the history of the disaster movie. Finally basing on this, I divide the disaster movies according to different performance types. In this article, I mainly carries on the indication from three angles. They are the natural disaster, the human accident and the fantasy disaster. However during the analysis of natural disaster movies, I write from two separate directions which includes the natural calamity and the ecological deterioration trying every effort to make a clear division on the disaster movie.The second part of this article mainly carries on the pattern research of the disaster movie. It analyzes from its narrative pattern, characteristic pattern and regional pattern separately. In the first pattern, the article expands the creation and change of the disaster movie from several aspects. They are the establishment of"limited time""seal space"and the interfusion of different movie types. It also thinks about the mythopeic conformation in the narrative pattern of disaster movies from the angle of myth and allegory. In the second pattern, it mainly tells the difference between the disaster movie and other movies on hero. It analyses from two concrete aspects. They are the colonial exsitance and the collectivization of heroes. In the third pattern, the article mainly make a comparative study on the three movies named "2012", " Super Typhoon " and " Hae wun dae ". It discusses on the movie's different regional characteristics of America, Korea and China produced by different cultrual characters and values. It mainly carries on the analysis from the regional difference and the cultural expression while shaping the characters.The third part of this article mainly research on that the disaster movies satisfy the audience esthetic psychology and arouse poeple's resonsideration of ecological crisis. On the first aspect, the article mainly writes from accepting esthetics. Concretely speaking,it tells three aspects to describe different ways of different audience who get satisfaction. They are arousing fear, getting salvation and obtaining heroic complex. On the second aspect,this article embarks from the viewpoint of the ecological esthetic. It expands the content from two aspects. One is the ecological wakefulness. The other is the converse application of ecological aesthetic in disaster movie which sparkplug"harmony"and"paragenesis". Using this, I would like to let people re-examine the ecological crisis carefully.