New Narrative Language Of Painting

This paper aims to analyze the past six decades the development of Chinese painting, the narrative changes in the way and their internal state of development, proposed a "new narrative" paintings in Chinese contemporary art's status and influence.Through the works of different times with the author of the analysis, we will see in a different historical backgrounds, the social, political, practical and personal situation and other factors will affect the face of narrative painting.Comic book is based on a text screen with a continuous text in the form of visual narrative plot to do the painting performance. At the time of this painting can influence a large number of literature lovers and like painting of young people, but with the development of the times, movies, television, Internet and other media, it is gradually heading towards the emergence of marginalized and comic book's overall weakness has become irreversible fact. The history of the period of socialist construction in the paintings first and foremost task is to politics and the impact of the Soviet model of realistic painting in the "regularization" feature for institution-building needs, in 1949, most of the artist with the performance of the real method of realism ,The performance of revolutionary history, revolutionary heroes and the great achievements of the Chinese Communist Party leaders, this is a "great narrative" of painting mode. The end of the Cultural Revolution, reform and opening up the political environment, gradually relaxed, drawing creative pent-up passion has been released, they have personal experience of emotional experience and the setbacks encountered by the then be able to understand and learn various new techniques and language to performance, from a single model of Soviet-style realism, so that the narrative painting language has been enriched and in-depth development. Drawing from literary, episodic, dramatic themes attempt Chen Danqing's "TibetGroup painting "Start with a clear manifestation of painting back to its own narrative logic. Over the history of the gradual return to painting body painting process of narrative, but also come to understand the process of drawing its own narrative logic. The "new narrative" features paintings of the painting lies in the germinal and Lenovo's own language, emphasizing the form and manner of narrative consciousness itself, rather than one occurring in a real life incident described. The "new narrative" is not a painting paintings emphasize form, value and coincidence of the same historical logic, but stressed that with dislocation, and even confrontation and departure. It tends to turn their attention to the changes, accidental, complex, micro-or even unknown state, reflects the contradictions and open narrative perspective. So that the history of painting opened up a strange and unexpected visual dimension.