The poetic theory of Tang and the Five dynasties is the theoretical research to poetry practice of modern times in expressive formality. It's a significant progress in traditional Chinese poetic area. It's significantly important to explore it's theoretical significance to understand the transformation of recent poetry form and expressive function.Research of the poetic theory of Tang and the Five dynasties, it mainly undertaken in the context of modern and contemporary classic research. Contemporary classical poetry researchers study poetry forms and rules mainly in two aspects:the first is the collection of related literature. " Research of forms and rules of Tang and the Five Dynasties Poetry " by Zhang Bo Wei is the relatively systematic compilation of historical data currently existing, the second is at the theoretical level. It indirectly discusses the poetry forms and rules in poetic sense by observing traditional linguistics, syntax, rhetorical structure theory and the morphology of reflection. Some researchers have also expressed concern to some important theoretical contributions of poetics or literary criticism, and draw some conclusion. But give little concern to "formality" which is of great importance to Tang poetry style, and lack necessary theoretical construction and convincing. Under this background, this paper has done some theoretical analysis to the expressional techniques of the poems in Tang Dynasty poetry forms, and gives a more strengthened discussion of the external poetic forms and the basic features offered by poetic theory, in order to reveal the internal meaning of the theory and the internal aesthetic mechanism of modern-time poetry and the significance of it's construction."Wen Jing Mi House on the exam." and" Research of forms and rules of Tang and the Five Dynasties Poetry " are the primary material to discuss the poetry theory of Tang and the Five Dynasties. Based on the information of the materials, this essay summarizes some of the theoretical perspectives of these two books, analyses some of the logical characteristics and discusses the practical mechanism. It believes that certain essential theory of poetic forms and rules which is important to research of modern poetry form does exist, and are truly worthy of universal attention in the research of poetics, classical theory and literary criticism.This paper discusses two issues:firstly, the characteristics of form concerned by Tang poetry style and the problems solved by it. The paper mainly gives careful analysis and summarization to historical study of poetic forms in order to reveal the innovation of Tang poetry style based on and beyond the poetry sound and rhythm of the six dynasties from Wei to Jin. Form characteristics include:to vary tune to achieve harmonic and smooth effect in rhythm, antithesis emphasizes perspective and state change, while discussions to problems is intended to achieve ideal syntax and structural consistence and coherence.There are two major problems to be solved in the research of poetry style. One is the importance of form expression to function of poetry expression. It discusses the relationship between situation and style to achieve constringency and extension of poetic meaning. At the same time, it analyzes the formation of the poetry mood from the aesthetic generation point of view, including the types of images, the establishment of antithesis,allusions to classical stories and concerns to emotional expression, etc.。The other is, the forms emphasize on the aesthetic effect of the construction of poetry and highlights the role and function of poetic style in the aesthetic construction. Seen from the aesthetic elegance and the pursuit of aesthetic spirit, poetry style theory mainly concerns the phenomenon, including the implementation of sound effects, expression changes, the types of criticism of aesthetic products, and the ultimate realization of the expressional characteristic of natural spirit penetration.Secondly, the paper summarizes some achievements and breakthroughs of the Tang Dynasty poetry style theory. It believes that Tang poetry style theory has properly absorbed the expressional means of traditional poetry, and creatively refines the performance to a more rigorous way.Mainly as follows:It accommodated the mutual generation between metrical and aesthetic practice both in content and form, and realized the transition from the traditional methods of "expressing thought" to "eulogizing scenery", that is to description orientated patterns. It constructed It established the range of interpreting tension between the signifier and the signified, and strengthened the function of surface structure and deep structure in poetry performance. Therefore Tang poetry style theory successively deepened and enhanced the relation among meanings, images and words in traditional poetry creation and interpretation, and also profoundly improved the aesthetic concept of concentration, performance and the establishment of aesthetic effect.The conclusions are:firstly, the "forms and rules "of Tang Dynasty poetry theory is not only an analysis to logical relationship between multiple factors of the forms and structures, but also an exploration on the best effect of poetry expressive function.; It established the inner areas of poetic theory in multiple dimensions. Its "forms and rules " is simply the pursuit of a higher level of meaning expression and aesthetic effect far beyond the focus on the basic form, which effectively advanced poetry to the art level of performance rather than just on the skill level. Secondly, the theory of Tang Dynasty poetry assumes a relatively complete theoretical system characteristic in stead of just being the random act theory. Tang Dynasty poetry style theory, therefore, has a profound literary and research value. It is both a theoretical guidance for literary writing, and a profound transformation of traditional poetics and literary criticism.Therefore, Tang Dynasty poetry style theory has a profound literary research value and worthy of universal attention. |