On The The Lindgren Fairy Carnival Spirit

Lindgren as the century "fairy tale world, three towering peak" of his life for the children was 87 literary works. She was in Sweden in 1957, "senior writer, literary standards" National Award; in 1958 was "Andersen Gold Medal"; in 1971 by the Swedish Academy, "gold medallion." However, such a fairy tale for the master, the domestic information and research about her is limited. Lindgren's "Pippi Longstocking" familiar world, the hero Pipi known as "Century Child", as a representative of the new century, children free. In these modern fairy Luoyangzhigui, behind the world renowned, I found that these modern fairy tales have in common is their inherent aesthetic spirit of Carnival. Carnival on the formulation of domestic fairy tale yet to see the carnival on the fairy tale nature of the research is blank. In modern society, human beings for the truth, goodness and beauty of desire, in many adults have become increasingly numb, at this time, is considered to lack the depth of the fairy tale, to the contents of their unique charm, a true expression of twists and turns, good the United States that the deepest and most profound human call! This makes the adult fairy tale with a literary masterpiece of reach and depth, but also makes the fairy tale with the essential values of human development. This paper argues that modern society, the spirit of Carnival as an unconscious aesthetic trend, reflecting the aesthetic field, and even children's literature field. The fairy tale by Astrid Lindgren's works are represented with carnival colors of modern society. This article focuses on use of rave aesthetic theory Lindgren works of care and aesthetics. I hope that through his attempt to discuss this new perspective to study for the fairy tale, Lindgren research, and structures of modern children's literature research a new research platform.