"lee" Poetic Image Jump Study

Combinnation of Chinese classical poetic images, in vite of the Chinese characteristics of paratactic grammar, usually can be directly united and can even omit the words that can connect poetic images , engendering the images leaping. Poetic images leaping is especially prominent for the Tang Dynasty. In the Tang Dynasty . LiBai, LiHe, LiShangYin are the most unique romantic poets, the image leaping in their poems show the most exciting and most unique visagean and lots of readers enjoy it.This article explore "ThreeLi" poetic art from the perspective of images leaping. By ananlyzing and researching "Three Li" poetic imagery's leaping , with a view to find more in-depth perspective of the creative psychological, mental status, and can more fully appreciate these poetry 's aesthetic effect, feeling its artistic charm. By comparing the similarities and differences, trying to find three romantic poets who live in different time and have different personality showing the comparability and individuality, tradition and innovation.on the poetic images leaping .The full text of the article has five parts,of which the main body is divided into three chapters,adding the introdiction and the conclusion.Introduction part analyzes and summarizes the research actuality about three Li poetry art, and explains the value and significance of poetic images leaping of Three Li.The first chapter deals with the reason of ThreeLi poetry image leaping, mainly from the sides of main body and social state, the aim is find the image leaping reason. The former side include individual fortune, psychology , creative motive and prosposition etc. The second side include time character , social and historical culture. bright and intellenghtand versatility, different experience, same disuse feeling, different consciousness of time and space and creative psychology, adding to LiBai immortal complex make up of the intrinsic factor of poetry image leaping. The effect of ChuSao culture and religion culture, respective time spirit are extrinsic reasons. the relation of LiHe appearance and habitude with his poetic imagery jump is put in thought.The second chapter illuminates the combinational form of Three Li poetic images leaping. From time and space crisscross, emotional ups and downs, fragment group, circle back and forth ,with the heterogeneity isomorphism, spokes together and layer-type jump, delivery of some aspects analyize and comparize the manifestations of ThreeLi poetry images leaping, so as to find that the comparability and individuality, heritage and innovation among them. From time and space crisscross, emotional ups and downs, fragment group are common combinational forms for ThreeLi .The form of circle back and forth is belong to LiBai and LiShangYin. But they art not simply duplicate. For LiBai ,the poetry imagery circle only still leap between void and fact, realism and imagination .For LiShangYin ,the circle expend further level, in multidimensional time and space repeating seam image, largly showing the sweetness of poetic image circle.The form of spokes together is obvious for LiHe and LiShangYin. But they also are different, LiHe only disperse imagery but not to furl. By controry, LiShangYin ofen point out theme after fall off. In addition,based on LiBai visional words, LiHe originate novel combinational form: the heterogeneity isomorphism and layer-type jump, showing the diversity of jump forms, fantastic thought and poetic twist. In addition , by analysizing and comparing the music imager creation and combinational characteristics, the article endeavor to show the change of imagery combinational form from tradition to arrancy.The third chapter dicusses the esthestic effect of Three Li poetry image leaping. From the point of aesthetic view, it analyzes image leaping of Three Li poetry, deeply excavating its esthestic effect and artistic value. Accordingly, the article summarizes its aesthetic characteristics: the beauty of vertical and horizontal screen changing, the beauty of integrity of persistent theme vein, the beauty of enhance the life beyond the real body, the beautiful lyricism of sing one of the three lyric sigh, the beautiful blank of spuring people to imagine, Beautiful form of jumped pill circulation. Summarizing the seam esthestic effect of Threeli poetry, this chapter also illuminate the individual esthestic style, in the vertical and horizontal screen changing, LiBai LiHe LiShangYin's poetic clue respectively show the evident, dark, foggy feature.In the lyricism of sing one of the three lyric sigh, For LiBai, it is the rip current pou:r down going with the buckjump. For LiHe, it shows fantasticism and deep grief going together. For LiShangYin, it shows intertexture of fickering configuration and deep intention.The conclusion summarize the opinion of the article and illuminates this study's status ,functionand significance in the field of study of ThreeLi poetic imagery jump, in addition ,the prospects of ThreeLi poetry images leaping research are described.