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On Rural Chaotic Narrative Of The Novel Since The 1990s

Posted on:2010-11-14Degree:MasterType:Thesis
Country:ChinaCandidate:Y RuFull Text:PDF
GTID:2205360278479070Subject:Chinese Modern and Contemporary Literature
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Since 1990s, whether it is China or the world's political, economic and cultural patterns are rapidly changing. During the pre-modern, modern, post-modern and the market economy, consumerism diffuse much of the period. Chinese native novels are also showing a situation of unprecedented prosperity. Not only the older generation of rural novels writers who have made new breakthroughs, but also the emergence of a group of young cutting-edge writers. This makes up the native novels since1990s, whether in theme, narrative, plot structure, narrative discourse, or in the aesthetic orientation, the expression of subject areas have emerged an unprecedented richness and diversity.This article begin with the rural characteristics of the novel narrative approach, using some relevant narrative theories, trying to do research in narrative discourse and narrative structure to analyze the narrative transformation of the native novels since 1990s. The "chaos narration" can be summed up this period of the narrative characteristics of Chinese native novels. This article is no longer strategically situated on the native style of the narrative characteristics of the novel made into concrete and comprehensive, but start with small questions—only specific text extracted from "chaos narrative" and explain it. The development of Chinese native novels will throughout the thesis and select representative writers' works for text analysis, such as Jia Pingwa, Mo Yan, Yan Lianke,Yang Zhengguang and so on. Combine the text read and theories explaination, in order to explore the specific characteristics and the reasons of the formation. It is important for us to study the contemporary native literature, and even the development direction of Chinese literature.Ⅰ.Narrative Discourse: Personalized carnivalFrom discourse analysis, with Wusi critical discourse of the Enlightenment and the romantic lyric discourse as well as speech and political discourse since the revolution in contrast, conclude that since the 1990's novels personal narrative discourse, and the tendency of revelry. Writing fully exert the freedom to become a writer, language out of the reality from the political, cultural constraints, showing a completely free state.Ⅱ.Narrative Structure: The fictional imagination forestBorrowed symbols of contemporary expressions of Jurists Eco: He put a piece of literary texts as the jungle, how to pass through this piece of the jungle depends on the writer's narrative methods and readers expection. This section is still start with the contrastion of the novels before 1990s, descriping that the native novels since 1990's always lack of narrative clues and the plot seems to be absurd and irrational as well as the aesthetic orientation vilify trial.ConclusionChaos narrative is one of the general narrative features of the native novels since the 1990's. This article is based on local stories as an example just to prove the features. On one hand, chaotic narrative makes the novels come toward literature itself, getting rid of the shackles and fetters of ideology. But on the othe hand, too much emphasis on the technical operation is away from the topic that "literary is an human study ". The novels' original "local color" and "custom scene" has become blurred. As intellectuals, writers should be more commitment to humane care and enlightened critical task. How to harmonize the two—not only put the shackles of ideology into literary, searching meaning from the words, but also can give full play to the literary imagination functions and wtite freely, which remains to be the future to further explore the practice of literary creation.
Keywords/Search Tags:Chinese native novels, chaos narration, narrative discourse, narrative structure
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