Tan Zhang Lichen "black And White Military Strategy" Theory

Chinese painting,has a long history,since the concept of Chinese culture,art,Chinese painting is to become rich,successful.Especially the"Zhuangzi","Book of Changes"philosophy has always been to affect the spirit of the connotation of Chinese painting.Due to the unique Chinese concept of yin and yang,black and white concepts and therefore a soft spot for the Chinese people on the black and white.To the Han, Sui and Tang dynasties,although more colors,but the relationship between attention to the blank screen.With the ink after the rise of the Tang, the Chinese painting in black and white become the dominant factor. Chinese painters have to factor in black-and-white painting of the areas of philosophy.Department for the non-white pen and ink,black ink for the Department."When the black of white","Shou-known black-white."To the modern Huang Binhong,Pan Tianshou,they pay more attention to black-and-white painting of the rationale.Although the paintings in their own quotation in some records,but did not rise to the level of theory. Contemporary bird artists Zhang Chen was good weather,favorable terrain, and conditions,combined with his experience and use of the image of military strategy,go for an analogy of the rationale,the rationale of Chinese painting black and white rose to the level of theory,running a small Chinese painting composition and the essential character of the law. Therefore,in studying the"black-and-white strategy of"On the theory of contemporary Chinese painting and creation of special significance. In this paper,the"black-and-white strategy of"On the contents of a focus on,first of all from the root of his theory as a starting point, black-and-white concept of combing the development of Chinese painting in the context,and how ultimately the formation of"black-and-white strategy of"the theory.Focus on the"strategy of black-and-white"and the essence of Chinese painting in the embodiment of works,as well as the"black-and-white strategy of"On the practical significance of our contemporary painting of a revelation.