Narcissistic About The Attention To Reality

The main thesis of this research the sixth generation of Chinese film from the narcissistic sophisticated style on the changes to the collective. In recent years, With their talent, the sixth generation of directors have begun to emerge. At home and abroad has aroused the attention of members of the film industry. They select the videos on topics of concern at the edge of people present in the narrative strategy type on preferences about narcissism, the emphasis on real images of natural style, pay attention to the medium of cinema to the margins of society to examine incidents of contemporary life, and formed its own unique style, At a certain extent, They promoted the development of Chinese cinema. Time to enter the commodity economy, subject to market factors, the sixth generation of film directors in terms of defects in the increasingly obvious that more and more restraints and constraints of its own development, the sixth generation face even more severe challenge. At the role of these factors, the sixth generation change happened quietly, to achieve individual and sophisticated by the young of the transition.The current director of the academic community about the sixth generation is a small number of monographs, More information is scattered and mixed. Most from the ideal creative thesis, art features, performance and other aspects of the way research on the changes they did not too much concern. In this paper, standing on the point of view of the market economy are discussed in detail the changes in the sixth generation director, the director of the sixth generation of Chinese cinema's contribution to the cause of change, change in performance as well as the direction of future development of a more comprehensive system of and enhance a high level of theory has a certain practical significance.This paper includes the introduction, the main thesis, the conclusion of three parts. An overview of the introduction to the overall style of the sixth generation of directors and the current situation they face. The main thesis includes four chapters. The first chapter summarizes the main Directed from the sixth generation of Chinese cinema since the birth of the contributions made from their pioneer a unique, and open up new areas of the marginalization of movies and advocate the spirit of simple humanistic concern on three aspects .The second chapter analysis of four sixth-generation director of the reasons for change transition from the mass society, institutions and the movie review system, the Chinese cinema of the process of commercial and individual sophisticated, the overall movie reflects the current development environment and in this environment Directed under the sixth generation of the inadequacy of their own existence. The third chapter focus on the changing interpretation of the sixth generation of the performance of directors, including from the narcissistic to the concern about the reality-style, from the edge closer to the center, from the murmur of the market, from the emotional return of cinema art movie, from the old ways to the desire to be recognized five part arts mentality. The fourth chapter proposed measures. Concluding remarks summarize some of the current Chinese film industry is facing the test, called on all sectors of society should be given to the sixth generation of directors more attention and care, and sixth-generation director of development after the transition to new expectations.