May 7th Ethnic "writers And Their Hunger Narrative Research

Before the comments,the paper does three aspects' work in the first section with three chapters,first defines the concept of"57's" writers,and then clears the status quo of the hungry narrative research,and the overall situation after the comeback of "57's" writers.Generally speaking,we use the saying of "57's" writers which both continues the definition of literary thought history,and also choose from the literary research field. In content,this paper focus on these "right-wing" writers in 1957 and the suffering they experienced in 1959-1961.In response to these authors and their texts,such as Zhang Xianliang,Wang Meng,Cong Weixi,Lu Wen-fu etc,previous researchers have had a lot of specialized research. But for these writers' memory of femine history during the period of 1959-1961,there are few specialized comments in the literary critical history.As to the writing situation after their comeback,Zhang Xianliang, Wang Meng and Cong Weixi were most prominent among the writers who wrote the memory of this period,especially the famine period.Based on the recognition of their commonality,this paper selects part of their texts as the representatives of "Hunger(famine)" contexts.But the analysis focuses on three of them on their differences.And by comparing with the famine history and "the right-wing" history,the paper further comments their historic,literature and cultural values among the "57's" writers.To review its historical value,the paper should first clear the historical background of their narrative texts,including famine history and "the right-wing" history.Hence in the first two sections of the first chapter,the article combs the two main aspects of historical materials: one is the time of famine and its severity and causes;the second is the number of "the right-wing elements" in "the anti-right-wing struggle", their imputation and their history treatment,as well as some key historical facts implicit in "the right-wing elements" standard.ChapterⅡof the paper mainly concerns on the famine life of the representative writers with their works.Specifically,the article mainly chooses Zhang Xianliang's Green Tree,My bodhi tree,Wang Meng's buli,loss of the season,Congweixi's disappearing white sails,moving towards chaos.The first section discusses the famine history in their texts: a series of description about famine life they pictures which can be called the vivid footnote of the history.Moreover,there is an obvious tilt:the proportion of their "hunger(famine)" written occupies a little ratio in their literature memory of the three years' disaster.In regard to their reasons,this paper then gives some personal views.SectionⅡcompares the texts with history,which found their similarities.Also,it combines with other writers' similar texts,and found their historical significance in reflecting non-right-wing groups famine history.ChapterⅢof the paper focusing on the "hunger" theme and with the recognition of their commonness,respectively analysis three authors and their famine texts from three aspects:the causes of famine,the logic to explain "the right-wing" writers' experience,and the "conscience of intellectuals".It elaborates these texts' historical value,literary history significance,and value of the national culture.From the perspective of history,the values are of more characteristics than non-right-wing writers' history and the famine history.And from the perspective of literary history,their works as typical cases display the literary development of "Literature and political interaction",and their positions as the "conscience of intellectuals" in literary history,main views include:First,after reading Zhang Xianliang's famine texts from the perspective of hungry narration,the paper breaches the previous studies which concerns the release of his emotion,and found it more important in his view on the causes of famine as a representative of "the right-wing" writers,which especially shows the difference from historical facts and the prevailing understanding of the timely people.Second,Wang Meng's literary production is his return of identity as a writer,and also his social and political status.Therefore,"the right-wing" political elements in his repeat writings provids corroboration for the viewpoints of the article:If Liuchaotang's logic to explain "the right-wing" writers' experience proved the consistency with the attribution of farmers' famine,Wang Meng and his works will answer why "the right-wing elements" have this kind of logic,and the short-comings of this logic.Third,as the representatives of "the right-wing" writers,all of the three writers' texts adhere to the writing ethics of "intellectual conscience",which also provide them with their positions in literary history and also the values to national culture at the same time.