As A Statement Was Made That Way

It has analyzed the connotation and significance of female art in contemporary China in this article from the standpoint of feminine with the help of feminism and esthetics theory by combining the current social background, as well as pointed out that the female art in contemporary China presents complicated and multiple features exerted by the double actions of feminism theory and artistic context in the contemporary China.It's very difficult to give definite demarcation for female art of China. The reason is that a good many discrepancies exist in the theory and stand of female art on the one hand, i.e. multifold viewpoints exist in each problem; meanwhile, the danger to enter into mistake zone exists in the simple analogy between the female art of China and the west feminism art on the other hand.The unexpected rising of female art has broken the myth of the art history created by unitary sex. The independent character and morals of female artists to participate in creation of art history enable us having to think over the relationship between art and sex. The problem of female art is not only simple the problem of sex relationship or that of right and equality between the male and female artists, it's related with our integral attitude and all explanations to art history. The experience of female artist colony is not the supplement and perfection to the art history; to the contrary, it's a kind of subversion and reorganization. It'll illuminate again that in what kind of mode the whole human art ever existed and how is it being written. Of course, it not at all purports to resolve art history into the history of sex duel. As a matter of fact, what could be written by feminine is not other kind of art history, but a written historical unconsciousness that has already become a fact, as well as something must be oppressed, hided, covered up and blotted out for all of ruling structure to prove its own unalterable principle and perfection.On the basis of her own knowledge structure and creation experiences, the author attempt comb out commonality in the numerous, complicated and unclear presentation of the female art in the contemporary era of China through description and analyses, so as to illustrate the necessity of its existence and the contribution of feminine to the art in the contemporary era of China.