And. Zhunv Interested In Things Merciless

The feminine literature suddenly and becomes an important status for thefirst time in the 90's nucleus. In this stage, Penetrates the feminine life and thesociety experiences, the female creation to social, historical, the culturalunderstanding more penetrated, they is extremely obvious to start carries on tothe society with feminine consciousness, subjective angle of view, thefeminine principle pursue. They positively dispel the contemporary malepower words system, revolts against the traditional male power society toentrust with the feminine role standard, initiates feminine maintainingindependence and keeping initiative, Attempts coexists by the completelycoordinated, even leading posture and the male. But in both China and SouthKorean, this kind of happy desires by many feminine writers, in precipitatedin several millenniums male power societies finally inevitably to degenerateinto one kind of incapable pursue. The topic is for the purpose of the awkwardresult which summarizes this universal feminine principle pursue and itessentially has no alternative.This article tries to take Chinese female writer Chen Ran's novel creationand the South Korean female writer Yin Xigeng's novel creation as anexample, analyzes and compares the China and the South Korea 1990sfeminine literature's neterogeny with the feminine principle pursue, this kindof pursue finally degenerates into the performance which loses as well ascreates the society, individual reason which this kind of pursue loses.Chen Ran and Yin Xigeng is prominent in the 1990s China and SouthKorea feminine principle creation achievement. Although theyself certainlydoes not flauntany "the feminism" or "the feminine principle", But they moldthe feminine main body status vigorously in the novel work, Querying thelove and the marriage with male superiority status, and straighteningcourageously a white female field at all, these all display them to be despoticregarding the revolt masculine words, constructs the feminine free main bodystatus, agreed without consultation the west feminism certain positions,Therefore diligently locates it in here is a kind for the feminine principlepursue.But as a result, China and South Korea male power rule system alreadylong-standing and ingrained, furthermore ,because feminine oneself in bodily and the psychological weak status, Chen Ran, Yin Xigeng and so onfeminine writers this kind dispels wants to resists the male power rule societywhich had already continued several millenniums until now, inevitably todegenerate into one kind of incapable pursue. Chen Ran and Yin Xigeng bothshow out vigorously pursue feminine true maintaining independence andkeeping initiative in the thought, attempts to construct completely belongsthemselves, the ideal feminine principle world in their texts, coexists by thecompletely coordinated, even leading posture and the male. Butsimultaneously, they unconscious subcrust current reveals to the love aboutthe men who likes "the father" in their text, resisted after the maie powerworld incapable chooses "ran away" as well as the female writes for thechallenge, subverts the sex consciousness, the radical body languageutilization which the male power words system institute sedulouslystrengthened violates its original intention to cater to the male power cultureand the feminine role to stipulate, these all with Chen Ran, Yin Xigeng and soon female's purpose far from. They wants to subverted, dispels the masculinewords authority and the original intention to run counter to, creates itsfeminine principle pursue to fall the male words rule. This indicated theirpursue spread in the feminine principle pursue to be incapable and to lose.Although Chen Ran, Yin Xigeng display the feminine principle pursue intheir works and their pursue final result is basic the same, but because Chinaand South Korea is difference in political, economical and cultural policy andlevel of development; Chen Ran, Yin Xigeng also had different experience andthought, therefore this two people display feminine principle aspect and so ontime pursue subjective desire, text narrative pattern, language st(?) in thenovel somewhere has the difference. And, although two people of feminineprinciple pursue both finally displays the incapable realization to lose theresult, but this kind loses in the performance--Feminine characteristicestablishment and they choose masculine trend object, the way of runs awayand moves towards also exists many different place. At the same time, thereason which their feminine principle pursue finally degenerates into losesalso not be quite the same.