On The Aesthetic Characteristics Of Chinese Contemporary Female Film

Taking a panoramic view of the history of Chinese film, generation after generation of women directors a unique perspective of women, for the development of Chinese film. Chinese film to the world and made a remarkable contribution. Because of their gender identity, and in recent years by Western feminist film theory, bring to the film used to the new perspective, new materials and new tricks, makes women film production and related theoretical studies more colorful. Based feminist critical theory as the foundation for the integrated use of sociology, Analysis of the spirit of cultural research studies, and the subjects of research methods, analysis of female film production in recent years the female version of expression and gender narration, discusses how to build a women's respect for women will with women's self-help to gender equality and harmonious dialogue order film language, thereby eliminating the male to female language film in the alienation of women return to the main finding the necessary means. Female film is written and directed by female staff with distinct creative sex position Female strong sense of personal style and rich colors in the film. To female theory, be to start with aspect such as film middle female image, version structure and the gender differences that culture has controlled mainly, reveal the usual camera, actor and audience's tradition relation and film narrating the pattern and structure the back people are accustomed, patriarchy doing not to wind at culture the fact that the female is held back under mechanism, disintegrates the free dignity being the author, the performer and appreciating person on the film suppression to female creative ability and the screen to true image of female depriving, female who recovers thereby. Narrating as one kind of female utterance, appreciation of the beauty characteristics such as style and the multivariate subject watching according to female consciousness becomes female film with the distinctive female visual angle and narrating observing image way, opposing the tradition portrait having pinning up the sign characteristic in tradition film. By creating the all-round retrospect and rethinking profoundly to the present age female film, different from the period, since analysis compares period in 17, the new period, the nineties middle late stage with new century of entrance four female consciousness experiences an aphasia, the collective awakes, declines to evolution process, and have problem that multielement displays in female. Point out the female structure self film language; for the female is equal to get along with really with the male sex make self contribution out.