The Xujing Mentality Of Chinese Landscape Painting

In the creation of Chinese mountains-and-waters painting, "Xujing" is one kind of special psychology which the creator achieved through the clear bosom static worry it is the prerequisite which artistic idea can carry on smoothly. This paper elaborates the empty static point of view in the Chinese mountains-and-waters painting creation the institute function, as well as acquisition of "Xu jing", the historical development and landscape painting origin obtaining.Drawings originates from the life, the point of view must reflect inevitably in the work, but in the creation, some one kind of point of view is very fearful. I enable the painter not to have the mood to paint pictures, it makes painters think other matters, and they have nothing in their mind. The traditional Chinese paintir is a kind of art that "tranquil sends far", it needs the good internal strength, the tranquil point of view, many year accumulations specially, only then achieves one kind of high boundary."Xu jing" mentions from the Taoism philosophy. Lao zi is the first man who mentioned that. His proposition "washes eliminates the unreliable warning", may be the source which "Xu jing" theory. "Guan Zi" also thought one wants empty static indifferent to fame or gain, wholly absorbed, only then possibly achieves the highest understanding. After that, "the Book of Change" proposes empty one static" position. Zhuang-zi is "Xu jing" regards as "foundation of the myriad things". The road Confucian two "Xu jing theory" is influential to its formation and the development, but its main philosophy foundation is Taoism "Xu jing"; The time of Wei Jin, the writer literary intelligentsia drink wine to discuss something, In the drawing, the natural scenery has become their first choice theme naturally, they through the description scenery, pour into own, sentiment above the scenery. In their mind, the scenery is not merely the objective existence nature, is one kind of analogy and the symbol, becomes the painter spirit activity the place. "Xu jing" and the mountains-and-waters painting had the inalienable origin.In creation, "Xu jing" the vital significance lies in causing the artist and knows in the analysis from the practical manner to extricate, the dwelling heart abstruse, the mind is free, enters the esthetic contemplation the boundarw form in one's mind for art to make the preparation..The "Xu jing" mindset lies in to the landscape painting creation bas significance, it is the artistic creation process is rich in the creative psychological power. Certainly, because "Xu jing" deeply Lao-Zhuang philosophy influence, also has accepted its negative surface inevitably, thus mixes with obviously certain is emptying the Mongolian unreal color, but "Xu jing" also receives the Confucianist in its developing process heavily actual "the practice rational spirit" the influence and the supplement, this spirit always people's thought, the emotion courses the real world, thus causes "static not to send empty" in returns goes to Lao-Zhuang's nihility world, "Xu jing" casting Chinese art, since ease Italy far, also is the realistic life; The Chinese skill wooden family' personality mind not only is unique, also is being entry the world. As one outlook on life, "Xu jing" is negative, but it has contained actually to human's intrins(?) life, the intrinsic value positive affirmation, does not have in the utility, the mind freedom, has suited the artistic essential spirit. As creation point of view, "Xu jinx" the main tendency is positive.