From Wun Sha Ji "to" Peach Blossom Fan "

'By right of sentiment of the meeting and parting, expressing feeling of the rise and fall'is one kind of specialized structure patterns in the Ming and Qing Dynasties legend structure patterns. Starting from Liang Chenyu'Huansha legend'and it was carried forward and innovated by Kong Shangren in his'Peach blossom Fan'. Regardless of Liang Chenyu or Kong Shanren, both of them have not completed this structure creativity in the dramas, have not unified'sentiment of the meeting and parting'and'feeling of the rise and fall'perfectly. Even if till the Qian Long age, the Ming and Qing Dynasties legend writers had not surmounted Kong Shangren regarding this creation art. Therefore, to this kind of structure pattern, we can only call it is the idealized structure pattern. This article draws up to give the experimental explanation from four points: possibilities of two parts union, the root cause for author to persist this kind of structure pattern, difficulties for inditing this kind of structure pattern as well as how had the author extricated himself from a predicament.To unify'Sentiment of the meeting and parting'and'feeling of the rise and fall'in together, needs to have these essential factors: First, it is about author's creation intention and historical consciousness. But these are related with the authors own experiences. Liang Chenyu can not realize his will for serving the country, his whole life fell on evil days, and clearly saw the highest ruler's appearance. Kong Shangren contacted a lot of common people who are from Ming dynasty when he was as a government official in Nanjing and Yangzhou, from that he understood the southern Ming history. Second, it is political consciousness of a leading lady in the drama. No matter Xi Shi or Li Xiangjun, both of them have the certain political consciousness, both have the truth for the participation of political struggle. Third, relations between the leading lady and characters who care the national rise and fall in the play.'Sentiment of the meeting and parting'and'feeling of the rise and fall'union in these two dramas have met the difficult positions: Two cannot be closely and fully unified in together. These are mainly with the leading lady cannot participate in government and political affairs and her lower social position. The author'take Qu as history'the creation idea and introspection consciousness from Kong Shangren as'the posterity of Saint'. However, Influenced by creation techniques of'Chinese Palace Fall'and other Yuan mixed dramas and so on, additionally authors pursued appreciation of the beauty like'positive beauty'and'outwardly submissive but inwardly evil-hearted beauty', Legend authors still persisted used this kind of structure pattern to write the historical drama.At the same time, the Ming and Qing Dynasties legend writers also realized it is very difficult to unify'sentiment of the meeting and parting''feeling of with the rise and fall', and had used the stage props series and the central image establishment in the practice to get rid of this kind of difficult position. Liang Chenyu had used a gift thing to be betrothed between Fan Li and Xi Shi- a wisp of gauze in'Huansha Legend'. Kong Shangren had used'the peach blossom fan'in the'Peach blossom Fan'drama to make the stage prop. The'peach blossom fan'is not only Hou Fangyu and Li Xiangjun present to be married, but also loyal love testimonies of two persons. Moreover, Kong Shangren still held'the peach blossom'on the fan to establish as the central image to cause'all ideas and descriptions in the drama can not deviate from stage prop---the peach blossom fan'..