Chinese Painting The Guardian Of Traditional Homes And Open Up

By Shi Lu "Spirit painting" on this theory analysis, this article explores "Spirit painting" on the theory and practices of creative thinking as the guiding role for the development and influence of Chinese painting. Shi Lu is the art of the 20th century artist, and the one of most representative. As a painter of epoch-making significance. His Practice and Theory in the study of Chinese painting has a positive aspects of the exploration and major breakthrough. He has a tremendous contribution to the cause of Chinese art.From Gu Kaizhi, the first one who raised the point of painting "the spirit by describing ",in the past time, many painters had their own view on the relationship between "Sprit" and "Figure". But most of them think " Spirt is more important than Figure". However, how to use this, they have different understanding. Shi Lu inheriting the formers' achievements of the "spirit" and "figure" , and combined his own experience in the practice of "Spirit written form". On the treatise of the "Spirit painting", he stressed the importance of "spirit" , and he summed up the creative process into "spirit-figure-spirit", then "figure by the real spirit". Visually describe the painting process is a form which from appearance to interior, from here to there, from geist to nous, and from the whole to the part. In addition, he thought the "spirit " in the "spirit painting" can divide into "wo shen" and "ta shen". "wo shen" is the mind of the artists, and "ta shen" is the object. From this point of view of Shi Lu, he has more than classical aesthetics form a step forward. Secondly, in the process of painting and how to replace "spirit", he has his own unique understanding and incisive exposition. In his words : "static form can be obtained, the action when the concept of Spirit. " His treatise "Spirit painting" on the exposition of the concept is not simply the proof of concept, but the combination of theory and practice. His many excellent works, such as "zhuan zhan shan bei," "dong fang yu xiao" etc. His creative ideas are "Spitit-figure parting," established under the guidance of the theory. On the guidelines not only with their own creative direction. ChangAn School of Chinese painting and even after playing a positive impact on the development. Today, Shi Lu, we recall the " Spitit-figure paiting," can still feel it in contemporary Chinese painting has the potential to play a powerful role.